Vicente Albán Explained
Vicente Albán |
Birth Date: | 1725 |
Birth Place: | Quito, Ecuador, Viceroyalty if New Gramada |
Death Date: | Unknown |
Occupation: | Painter |
Vincente Albán (1725 in Quito, Ecuador - Unknown) was an Ecuadorian painter, member of the Quiteña School, noted for his idealized paintings of indigenous (Yumbo people) and Latin American-born people in their native outfits.[1] [2] These paintings display a variety of social classes and information on the clothing of the time.[3] Exploring Latin American identity, his work was commissioned by José Celestino Mutis, who wanted to bring local flora into the mind of the country.[4] The paintings were created via an oil on canvas technique. Paintings of this era such as this were often used as a method of showing American territory and the resources it provides. People shown in Albáns work were shown wearing gold and silver to demonstrate the continents wealth.[5]
Paintings and local fauna featured
- Principle Lady with her Black Slave (1783) - Franadillas tree, Loquat tree, Large Coconut Palm, Coquitos de Chile tree.
- Principal Indian of Quito with gala dress (1783) - Machetonas and Berugillas tree, Guabas tree, Fagsos Fruit, Guayabas tree
- Yapanga of Quito in a suit that uses this kind of women who try to please (1783) - Capulic tree, Custard apple trees, Caymitos, Strawberries
- Yumbo Indian from the vicinity of Quito with their feather costumes and fangs of hunting animal that they wear when they are in gala (1783) - Banana tree, Lapaias tree, Pineapples, Strawberries
- India in gala dress (1783) - Avacado tree, Chilguacanes tree, Chamburos tree, Namey Fruit
- Yndio yumbo de Maynas with his load (1783) - Pitahayas tree, Obo tree, Mamei tree, Pumpkin
- Portrait of Bisiop of Quito Manuel Blas Nephew (1783)
Notable Exhibits
- 1780 - Possession of King Carlos III of Spain[6]
- ? - Museum of Natural Sciences of Madrid
- ? - Ethnographic Section of the National Archaeological Museum
- 1941 - Museum of America of Madrid
- 2018 - National Museum of Ecuador (90 days then returned to the Museum of America of Madrid)[7]