| This Time It's Love | |
| Type: | studio |
| Artist: | Kurt Elling |
| Cover: | Kurt Elling This Time it's Love.jpg |
| Released: | July 28, 1998 |
| Recorded: | December 1997–January 1998 |
| Studio: | Hinge, Chicago, Il |
| Genre: | Vocal jazz |
| Length: | 54:54 |
| Label: | Blue Note |
| Producer: | Laurence Hobgood, Kurt Elling, (Paul Wertico) |
| Chronology: | Kurt Elling |
| Prev Title: | The Messenger |
| Prev Year: | 1997 |
| Next Title: | Live in Chicago |
| Next Year: | 2000 |
This Time It's Love is a 1998 studio album by jazz vocalist Kurt Elling,[1] accompanied as usual (since Elling's debut) by Laurence Hobgood on piano, Rob Amster on bass, and on drums Michael Raynor, who replaces Paul Wertico for the most part.[2] On five of the twelve tracks guest musicians were invited, like guitarist David Onderdonk or Chicagoan veteran jazz musicians, violinist Johnny Frigo and Eddie Johnson. Hobgood and Elling co-produced the recording with Wertigo as associate. Elling's third album was again released on the Blue Note label, which initially asked him "to do something more on the romantic side", as Elling writes in the liner notes.[3] The album's repertoire is predominantly standard material with two songs added that were already played by the band, the lauded "Freddie's Yen for Jen" (see 'Reception' below) and McCoy Tyner's "My Love, Effendi" with lyrics by Elling, and "Where I Belong", another original.[3] The bossa nova classic "Rosa Morena" by Dorival Caymmi is the first song Kurt Elling recorded in a foreign language,[4] accompanied here just by acoustic guitar and bass.
The Allmusic review by Tim Sheridan awarded the album four stars, and said Elling "finds a happy medium between romantic rumination and vocal experimentation. The highlight of the disc is "Freddie's Yen for Jen," a stellar jazz experience that comes pretty damn close to committing the pure emotion of love to tape".[1] Morton and Cook wrote in their Penguin Guide to Jazz: "The highlight of This Time It's Love is a superb vocalese based on Lester Young's solo on "She's Funny That Way", but" –agreeing with Sheridan– "it is almost topped by "Freddie's Yen for Jen", which takes its inspiration from Freddie Hubbard and is one of the most compelling vocal performances in recent times."
Nate Chinen of The New York Times would later call Elling "the standout male jazz vocalist of our time" while praising both This Time It's Love and Flirting with Twilight as his best Blue Note albums for their "strenuously reined-in focus."[5]
This Time It's Love received a Grammy Nomination for Best Vocal Jazz Performance, the third nomination in a row since Elling's debut,[6] but lost to Shirley Horn's I Remember Miles.