| The Voice | |
| Cover: | The Voice Moody Blues US cover.jpg |
| Type: | single |
| Artist: | The Moody Blues |
| Album: | Long Distance Voyager |
| B-Side: | 22,000 Days |
| Released: | 23 July 1981 |
| Recorded: | 25 April 1980 |
| Genre: | Progressive rock, new wave |
| Length: | 5:16 (album version) 4:13 (single version) |
| Label: | Threshold |
| Producer: | Pip Williams |
| Prev Title: | Gemini Dream |
| Prev Year: | 1981 |
| Next Title: | Talking Out of Turn |
| Next Year: | 1981 |
"The Voice" is a song written by Justin Hayward that was first released on the Moody Blues' 1981 album Long Distance Voyager and also as its second single. The song continued the success of previous single "Gemini Dream", becoming a Top 40 hit on the Billboard Hot 100, where it peaked at No. 15 in October 1981. The song had previously topped the Billboard Top Rock Tracks chart for four weeks during June–July 1981.[1] The song also reached No. 9 in Canada.
"The Voice" was one of the first songs recorded for Long Distance Voyager, on April 25, 1980. Hayward plays acoustic and electric guitars, and sings the lead vocal as well as most of the harmony vocals, but John Lodge and Ray Thomas join in on the "oh oh" part in the refrain. Hayward played his guitar solo on a 1963 red Gibson ES-335.
Hayward said of writing and recording "The Voice":
On the album version of the song, there is a 30 second synthesizer introduction leading into the song, that was developed and played by Patrick Moraz. This was an excerpt from a song Moraz had written about a year prior to "The Voice" being recorded.
The lyrics reflect the insecurities Hayward was feeling at the time about his stardom and the fact the stress of continually meeting expectations and dealing with poor reviews and writer's block. The title wasn't determined until after the song was recorded and refers to the inner voice that is one's own harshest critic.
Hayward said of the song:
Hayward also said that it's a "song that means a lot to me, every word. But don’t ask me to explain it, please. It just means a lot."
The Star Press critic Kim Teverbaugh said of the music that it is "an up-tempo rock number like the band is fond of having open its albums."[2] Music journalist Geoffrey Freakes described the music as "pop-rock".[3] Freakes said that "The choral harmonies are sharp, and Hayward's guitar fills workmanlike with John Lodge and Graeme Edge's sold rhythm driving the song at a brisk pace.[3] The song is written in the key of E minor.
According to Allmusic critic Dave Connolly, the song "is a sweeping and majestic call to adventure."[4] Billboard described it as "a texturally lush piece of pop in the best tradition of [the Moody Blues'] earlier work".[5] Record World said that "The symphonic arrangement envelops Justin Hayward's dramatic vocal."[6] Variety said it had the potential to go to #1, saying that "the well-crafted pop melodies in both verse and chorus and the use of synthesized strings vividly recall the Moody's in their original incarnation" and also praised Pip Williams' "richly imaginative production."
Teverbaugh praised Moraz' keyboards for "[pulling] the group into the '80s" and said that the lyrics are "worth following."[2] Ottawa Citizen critic Bill Provick said that "There are plenty of traditional Moody Blues touches but also a freshness and verve that is quite captivating – especially for longtime fans."[7] Post-Gazette critic Gary Graff called it a "melodic rocker that leaves you feeling pretty good" and praised Hayward's lead guitar and Moraz' keyboards.[8] Daily Press critic Mike Diana said that it has "the [band's] venerated blend of synthetic and real string sections wafting around the gushing vocal of Justin Hayward."[9] Sacramento Bee critic Bob Sylva praised its "driving pop rhythms."[10] News-Democrat critic Roger Schlueter praised the harmonies but criticized the unimaginative lyrics, particularly some simplistic rhymes.[11]
Classic Rock critic Malcolm Dome rated it as the Moody Blues' 5th greatest song, saying that the song "offers hope for the future, as long as people take control of their lives and events."[12] Ultimate Classic Rock critic Nick DeRiso rated it as the Moody Blues' 6th greatest song, saying that it is "one of the last [Moody Blues songs] to so deftly marry the mystical elements of Hayward's classic songcraft with [a more] modern approach."[13]
| Chart (1981) | Peak position | |
|---|---|---|
| Australia KMR[14] | 91 | |
| Canada RPM Top Singles[15] | 9 | |
| Netherlands | 46 | |
| U.S. Billboard Hot 100[16] | 15 | |
| U.S. Billboard Mainstream Rock | 1 | |
| U.S. Billboard Adult Contemporary[17] [18] | 16 | |
| U.S. Cash Box Top 100 | 15 |
| Chart (1981) | Rank | |
|---|---|---|
| Canada [19] | 62 | |
| U.S. (Joel Whitburn's Pop Annual)[20] | 97 | |
| U.S. Cash Box [21] | 100 |