The Ship that Never Returned explained
"The Ship That Never Returned" is a ballad written and composed by Henry Clay Work (1832–1884) in 1865. It was first published in September that year by Root & Cady, whom Work had collaborated with throughout the American Civil War. It narrates the departure of a ship from a harbor that never come back, with a mother and the captain's wife lamenting the loss of their loved ones who were on board.
The song is best known nowadays for melodically inspiring later country tunes—most notably, the 1903 ballad "Wreck of the Old 97", which would become first million-selling country music hit. The melody was also adapted in Walter A. O'Brien's 1948 campaign song "Charlie on the MTA".
Composition
Work as a songwriter
Henry Clay Work gained popularity during the Civil War, writing tunes for Root & Cady.
Lyrical analysis
The song concerns a ship that left a harbor and never came back. A reason for the ship not returning is not given in the lyrics. However, the line "and their fate is yet unlearned" implies that the reason is unknown.
Influences
Parodies of the popular song started appearing by 1888.
"The Train that Never Returned" is one of the early parodies of Work's song:
Carl Sandburg's collection American Songbag recorded an adaptation from the Kentucky mountains. The tune formed the basis of "Wreck of the Old 97", about a 1903 train wreck; recorded by Vernon Dalhart in 1924, and many others afterward, the song became the first million-selling country music hit.
The melody was adapted in "Charlie on the MTA", created in 1948, as a campaign song for Walter A. O'Brien about a man unable to alight from a Boston subway train because, rather than change all the turnstiles, the M.T.A. added an exit fare - Charlie did not have the extra nickel to get off the train. The Kingston Trio recorded the song in 1959 (as "M.T.A.") and had a hit with the recording in the same year.
References
Citations
Bibliography
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- Epstein . Dena J. . 1944 . Music Publishing in Chicago before 1871: The Firm of Root & Cady, 1858-1871 . Notes . 1 . 4 . 43–59 . 10.2307/891291 . 891291 . JSTOR.
- Book: Finson, Jon W. . The Voices That Are Gone: Themes in Nineteenth-Century American Popular Song . Oxford University Press . 1994 . 0-19-505750-3 . New York City, New York.
- Hill . Richard S. . 1953 . The Mysterious Chord of Henry Clay Work . Notes . 10 . 2 . 221–225 . 10.2307/892874 . 892874 . JSTOR.
- Book: Kelley . Bruce C. . Bugle Resounding: Music and Musicians of the Civil War Era . Snell . Mark A. . University of Missouri Press . 2004 . 0-8262-1538-6 . Columbia, Missouri.
- Book: McWhirter, Christian . Battle Hymns: The Power and Popularity of Music in the Civil War . The University of North Carolina Press . 2012 . 978-0-8078-3550-0 . Chapel Hill, North Carolina.
- Web site: Profile: Henry C. Work . June 6, 2024 . Songwriters Hall of Fame.
- Book: Randolph, Vance . Ozark Folksongs . University of Missouri Press . 1980 . 0-8262-0300-0 . 4 . Columbia, Missouri.
- Book: Shepherd, John . Continuum Encyclopedia of Popular Music of the World . Continuum International Publishing Group . 2003 . 0-8264-6321-5 . 1 . New York City, New York.
- Book: Silber, Irwin . Songs of the Civil War . Dover Publications . 1995 . 0-486-28438-7 . Mineola, New York.
- Book: Work, Henry C. . Songs of Henry Clay Work . Little & Ives . 1923 . Work . Bertram G. . New York: United States.