| Teenage Love | |
| Type: | Compilation Album |
| Artist: | Cold Chisel |
| Cover: | Cold chisel teenage love.jpg |
| Released: | 1994 |
| Recorded: | 1976–1983 |
| Genre: | Pub rock, rock and roll |
| Length: | 62:15 |
| Label: | EastWest |
| Producer: | Mark Opitz, Peter Walker, Cold Chisel |
| Prev Title: | The Last Stand |
| Prev Year: | 1992 |
| Next Title: | The Last Wave of Summer |
| Next Year: | 1998 |
Teenage Love is a compilation album by Australian pub rock band Cold Chisel, released in 1994. The album collected studio recordings, many just demos, that were not used on previous albums. Phil Small said, "There was always a surplus of 3 to 4 tracks with each album."[1] The tracks were recorded between 1976 and 1983. "Hands Out of My Pocket", "Nothing But You"[2] and "Yesterdays" were issued as singles.
Don Walker said of the album, "Most of the time they were recorded as demos, so it's just the band in the studio slamming down a new song. For a certain number of them, it's the only time we ever played the song."[1] Walker insisted that the tracks be released without any overdubs."[3] "The Party's Over" was a live staple for the band but not included on earlier studio albums. Teenage Love
"A Little Bit of Daylight" is an early version of the song recorded by Jimmy Barnes as "Daylight" on his solo album Bodyswerve. "Monica", a song written by Prestwich, is the only Cold Chisel song that Don Walker doesn't play on, as he claims he couldn't play with a "latin feel."[4]
The impetus for the album was manager Rod Willis finding some tapes with song titles he didn't recognise, sending the details to Walker. Walker said, "I went to a tape drawer I hadn't opened since 1984 and found some of the songs on Rod's list plus one or two others. The quality of the playing was just astonishing."[5]
Walker later said, ""Despite all our best efforts, Teenage Love was viewed as scraping the bottom of the barrel for old material. But it was a labour of love and what people didn't realise is that everyone involved with the band privately think Teenage Love is the greatest Cold Chisel album ever. They'll all tell you that, myself included."[6] Elsewhere, he added, "Anybody who was around at the time knows fundamentally we were a pretty feral rock band. It’s been a long time since we were out there playing live and all people hear about Cold Chisel is the big, sleepy hits on radio. There are probably a few generations who’ve come along thinking that’s what the band was like but really that’s just a reflection of the fairly small commercial end of things."[7]
The album was reissued with larger font. Walker said, "The logic was that we were a little bit too arty farty with the original cover design. Although Pierre Baroni had down a fantastically striking album cover for Teenage Love, if you stood any more than 10 centimetres away, you wouldn't know it was a Cold Chisel CD. We've now rectified that."[8]
Allmusic describes "Teenage Love" as, "the weakest studio album in Cold Chisel's catalog." However, it continues, "Yes, it's Chisel's "B" material [...] But then, most bands would kill to have this kind of stuff as their "A" material."[9] Ian McFarlane said, "Teenage Love proved to be a remarkable collection of songs that were brimming with loose ends and vibrant spontaneity. Outstanding tracks like "Metho Blues", "Nothing but You", "Teenage Love Affair" and the boogie "Drinkin' in Port Lincoln" possessed more grit and fire than most of the debut album or Twentieth Century.[10]
The album reached the number 6 in the Australian charts.[11]
