Pierre-Paul Prud'hon Explained

Pierre-Paul Prud'hon
Birth Date:4 April 1758
Birth Place:Cluny, Saône-et-Loire, France
Death Place:Paris, France
Nationality:French
Field:Painting, drawing
Movement:Neoclassicism, Romanticism
Works:Madame Georges Anthony and Her Two Sons

Pierre-Paul Prud'hon (pronounced as /fr/, 4 April 1758 – 16 February 16, 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as Madame Georges Anthony and Her Two Sons (1796). He painted a portrait of each of Napoleon's two wives.

He was an early influence on Théodore Géricault.

Biography

Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions, often allegorical works such as The Soul Breaking the Links Holding it to the Earth and The Dream of Happiness. His work for wealthy Parisians led him to be held in high esteem at Napoleon's court.

His painting of Josephine portrays her not as an Empress, but as an attractive woman, which led some to think that he might have been in love with her. After the divorce of Napoleon and Josephine, he was also employed by Napoleon's second wife Marie-Louise.

Prud'hon was at times clearly influenced by Neo-classicism, at other times by Romanticism. He was appreciated by other artists and writers, including Stendhal, Delacroix, Millet and Baudelaire, for his chiaroscuro and convincing realism. He painted Crucifixion (1822) for St. Etienne's Cathedral in Metz; it now hangs in the Louvre.

The young Théodore Géricault had painted copies of work by Prud'hon, whose "thunderously tragic pictures" include his masterpiece, Justice and Divine Vengeance Pursuing Crime, where oppressive darkness and the compositional base of a naked, sprawled corpse obviously anticipate Géricault's painting The Raft of the Medusa.[1]

Further reading

General studies

Adapted from a following source: Book: Freitag, Wolfgang M.. 1997. 1985. Art Books: A Basic Bibliography of Monographs on Artists. 2nd. New York, London. Garland. p. 327, entries nos. 10041–10049. 0-8240-3326-4.

Reference works

External links

Notes and References

  1. Gayford, Martin. "Distinctive power". The Spectator, November 1, 1997. Retrieved from findarticles.com on January 6, 2008.

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