| Creator: | Amy Sherman-Palladino |
| Country: | United States |
| Language: | English |
| Num Seasons: | 5 |
| Num Episodes: | 43 |
| Location: | New York City |
| Camera: | Single-camera |
| Runtime: | 43–76 minutes |
| Network: | Amazon Prime Video |
The Marvelous Mrs. Maisel is an American period comedy drama television series created by Amy Sherman-Palladino. It premiered on Amazon Prime Video on March 17, 2017. The series is set in the late 1950s and early 1960s, but the final season contains flashforwards to later decades. Rachel Brosnahan stars as Miriam "Midge" Maisel, a New York housewife who pursues a career in stand-up comedy after her marriage ends. The series co-stars Alex Borstein, Michael Zegen, Marin Hinkle, and Tony Shalhoub. It features Kevin Pollak, Caroline Aaron, Jane Lynch, and Luke Kirby in recurring roles. The pilot episode received critical acclaim and the series was picked up by Amazon Studios. The fifth and final season premiered on April 14, 2023,[1] and concluded on May 26, 2023.
The series has received critical acclaim. It won the Golden Globe Award for Best Television Series – Musical or Comedy in 2017 and the Primetime Emmy Award for Outstanding Comedy Series in 2018, with Sherman-Palladino receiving the awards for Outstanding Directing and Outstanding Writing at the latter ceremony. Brosnahan won the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 2018 and two consecutive Golden Globe Awards for Best Actress – Television Series Musical or Comedy in 2018 and 2019. Borstein won the Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series twice consecutively, in 2018 and 2019; and Shalhoub and Kirby won Outstanding Supporting Actor in a Comedy Series and Outstanding Guest Actor in a Comedy Series in 2019, respectively.
Season 1: In 1958 New York City, Miriam "Midge" Maisel, a young, affluent Jewish-American housewife, embarks on a stand-up comedy career after husband Joel, an untalented amateur comic, abruptly leaves her following his dismal set at The Gaslight Cafe. Drunk and dejected, Midge returns to the Gaslight in her nightgown, and in a bawdy impromptu set, vents her predicament before being arrested for indecency. Midge meets famed comic Lenny Bruce when he is arrested the same night for using profanity in his act. Gaslight manager Susie Myerson, recognizing Midge's raw talent, coaches her on stand-up comedy.
Season 2: As Midge secretly hones her comic skills at the Gaslight Café, she and Susie also hit the road. Touring is hard and female comics are generally disparaged and discriminated against. Midge rejects comedian Sophie Lennon's notion that female comics need a gimmicky persona to compete in a male-dominated field and instead performs as herself, adopting the stage name, "Mrs. Maisel". After Midge disparages Sophie's corny act, Sophie's vindictive manager gets Midge blacklisted from New York clubs. Midge perseveres and gets a huge break as the opening act for famous singer Shy Baldwin's upcoming tour.
Season 3: Midge balances career and family life while touring with Shy Baldwin; she retools her act for non-New York audiences. After divorcing, Midge and Joel remain in each other's lives while navigating new relationships. Joel branches out by opening a small nightclub in New York's Chinatown, soon discovering the landlords operate an illegal gambling den downstairs. Tensions arise when Midge initially objects to Susie managing other clients, including Sophie Lennon; is unaware that Susie relies on mob connections for professional assistance. After carelessly alluding to Shy's homosexuality during a set, Midge is fired.
Season 4: Following the Shy Baldwin debacle, Midge vows to only do headliner gigs, though with little success. Sophie Lennon gives Midge a professional break before jealously thwarting her career again. Meanwhile, Joel's busy nightclub draws unwanted attention to his landlords' illegal activities. Midge becomes the comic emcee at the Wolford burlesque club, contentedly languishing there until a police raid closes it. Lenny Bruce helps Midge regain her confidence and reboot her career.
Season 5: The story covers the 1960s – 2000s. In the early 60s, Midge, still struggling professionally, is hired as a writer for The Gordon Ford Show and competes against male co-workers. Glimpses into the future reveal: Midge fires Susie after learning her mob ties entangled Joel in illegal activities to protect Midge. As Midge's career climbs, Lenny Bruce descends into drug addiction. After seizing an opportunity, Midge becomes a major comedy star but has a messy personal life with multiple marriages, lost loved ones, strained relationships, including her two adult children, and eventual reconciliations. Throughout, Midge and Joel stay close.
In developing the series, Amy Sherman-Palladino was inspired by childhood memories of her father, a standup comedian based in New York City, and an admiration for early female comics such as Joan Rivers and Totie Fields.[3] [4] [5]
In June 2016, Amazon gave the production a pilot order, with the pilot episode written and executive produced by Sherman-Palladino.[6] In April 2017, Amazon gave the production a two-season order, to be executive produced by Sherman-Palladino and Daniel Palladino with Dhana Gilbert as a producer.[7] On May 20, 2018, Amazon renewed the series for a third season of eight episodes.[8] [9] One week after season three was released, Amazon renewed the show for a fourth season.[10] On February 17, 2022, Amazon renewed the series for a fifth and final season.[11]
On August 5, 2016, Rachel Brosnahan was cast in the pilot's lead role.[12] In September 2016, it was reported that Tony Shalhoub and Michael Zegen had joined the pilot's main cast.[13] [14] On October 6, 2016, Marin Hinkle was cast in one of the pilot's main roles.[15] In May 2017, it was reported that Joel Johnstone, Caroline Aaron, Kevin Pollak, and Bailey De Young were set to appear in recurring roles.[16] [17]
On May 23, 2018, Zachary Levi was announced to appear in the second season in a recurring capacity.[18] On August 15, 2018, it was reported that Jane Lynch would reprise her role of Sophie Lennon in recurring capacity in season two.[19]
On April 15, 2019, it was announced that Sterling K. Brown would appear in the third season in an undisclosed role.[20] The October 14, 2019, release of the season's teaser trailer revealed that Liza Weil would also play an undisclosed character.[21]
On June 21, 2021, Kayli Carter was announced to appear in the fourth season in a recurring capacity.[22] Other season 4 guest stars include Milo Ventimiglia and Kelly Bishop, who both appeared on Gilmore Girls, which was created by Amy Sherman-Palladino.[23] [24] Additional season 4 guest stars include Jason Ralph (who is Rachel Brosnahan's real-life husband) and filmmaker John Waters.[25] [26] For the fifth season, Reid Scott, Alfie Fuller, and Jason Ralph were promoted to series regulars after having recurring roles in the fourth season.[27]
Principal photography for the pilot took place from September 27 to October 14, 2016, in Manhattan.[28] Filming for the fourth season began on January 20, 2021[29] [30] and wrapped in early July 2021.[31] Filming for the fifth season began in late February 2022 in New York City.[11]
Exterior shots for the Gaslight Club were filmed in October 2016 outside 96 St. Mark's Place in the East Village, the building featured on the cover of Led Zeppelin's 1975 album Physical Graffiti.
Other New York locations included The Village Vanguard jazz club on Seventh Avenue South, a vintage record store on West 4th Street, and Albanese Meats & Poultry, a butcher shop on Elizabeth Street in Little Italy. Exterior scenes set at the B. Altman department store were filmed at the B. Altman and Company Building at Fifth Avenue, while interiors were shot in a disused bank in Brooklyn.[32]
Season 2's scenes set at the holiday resort in the Catskills were filmed on location at a holiday resort on the Oquaga Lake near Deposit. Paris scenes were filmed at various real-life locations in the 2nd arrondissement of Paris, and at the Musée Rodin at Hôtel Biron.[32] One of the hotels in season 3 was the Fontainebleau Miami Beach.[33]
The show makes frequent use of "oners", extended single-shot scenes. "Going to the Catskills" offers a two-minute oner depicting Midge and her family getting rambunctiously resettled in their summer home in the Catskills. It included a half-dozen overlapping vignettes.[34] In "Strike Up the Band", in a 12-page scene, Midge comes into their apartment to find her parents fighting, with her clothes scattered everywhere. In another, Midge and Susie ride in an open Jeep to an airplane hangar where Midge will later open for Shy. The camera follows them from the Jeep into the hangar, where soldiers manhandle her onto the stage, which she crosses while waving to the nearly 1,000 soldiers facing her before she is lifted back into the Jeep.[35]
The "apartment" where Midge and her husband Joel live was created on the same set as the apartment where Midge's parents live, but with more modern (late-1950s) design, inspired in part by Doris Day movies, according to production designer Bill Groom.[36] The "retro" typeface used for the show's logo is Sparkly by Stuart Sandler of Font Diner.[37] The show's distinctive designs and costumes—most notably the women's hats and dresses—led the Paley Center for Media to create an exhibit called "Making Maisel Marvelous" in 2019.[38]
The design of a Cuban dance number in episode 5 of season 3 was inspired by the 1964 film I Am Cuba, which is a favorite film of series cinematographer M. David Mullen.[39]
In December 2019, two costumes from the series were acquired by the National Museum of American History at the Smithsonian Institution.[40]
On October 10, 2017, the official trailer for the first season was released. On August 9, 2018, a teaser trailer for the second season was released.[41] On October 24, 2018, the official trailer for season two was released. From December 1–8, 2018, Amazon opened up a pop-up restaurant in Manhattan's Nolita neighborhood modeled after Carnegie Deli as it appeared during the 1950s. The restaurant served a menu much more limited than what was actually offered at the original deli with the only two sandwich options being "The Maisel" and "The Susie." Other items offered included mini knishes, black and white cookies, cheesecake, and pickles. As the restaurant was purely for promotional purposes, nothing on the menu cost more than 99 cents, and all the proceeds went to support the Lower Eastside Girls Club.[42]
In August 2019, to promote the show for the upcoming 71st Primetime Emmy Awards, Amazon partnered with various businesses in and around Santa Monica, California, to provide goods and services at 1959 prices. The offer to sell gasoline at $0.30 per gallon led to long queues and traffic jams in front of the gas station that offered the promotion, forcing police to intervene.[43] [44]
The series held its official premiere on November 13, 2017, at the Village East Cinema in New York City.[45] It premiered as a part of Amazon's Spring 2017 pilot season on March 17, 2017.[46] The remainder of the first season was released on November 29, 2017.[47] The second season premiered on December 5, 2018,[48] and the third season premiered December 6, 2019.[49]
Season 4's release format changed from the all-at-once binge of previous seasons to weekly releases of two episodes each; the season premiered on February 18, 2022.[50] The fifth and final season, which consists of 9 episodes, premiered on April 14, 2023.[51]
The series has received broad critical acclaim. On Rotten Tomatoes, it received an overall score of 90% and an overall score of 78 on Metacritic.[52] [53]
On review aggregator Rotten Tomatoes, the first season holds a 94% approval rating, with an average rating of 7.6 out of 10 based on 82 reviews. The website's critical consensus reads, "The Marvelous Mrs. Maisel is an upbeat addition to Amazon's original offerings, propelled by a playful yet poignant performance by Rachel Brosnahan."[54] On Metacritic, the series has an average weighted score of 80 out of 100, based on 27 critics, indicating "generally favorable reviews".[55]
The pilot episode of The Marvelous Mrs. Maisel was one of Amazon Video's most successful ever, achieving an average viewer rating of 4.9 (out of 5).[7] The review of the pilot in The Guardian praised the combination of Sherman-Palladino's "banging dialogue and the utterly winning charm of Brosnahan",[56] while The A.V. Club praised the "outstanding" production design and said "this is a series that's as confident as its heroine—and what a heroine she is."[57] A critic for Slate called the episode "a knockout", stating that the stand-up element "introduces a welcome streak of discipline, both verbal and thematic, into Sherman-Palladino's charming but manic work."[58]
The Jerusalem Post highlighted the exceptionally well done "Jewishness" of the work, calling it a "comedic delight of a show, combining Sherman-Palladino's knack for witty dialogue with the colorful, rich world of 1950s New York and the intensity of family drama and changing times."[59] NPR similarly highlighted the effectiveness of the comedy in the show, calling it "a heroic fantasy."[60]
On Rotten Tomatoes, the second season holds a 92% approval rating, with an average rating of 8.2 out of 10 based on 72 reviews. The website's critical consensus reads, "Like Midge herself, The Marvelous Mrs. Maisel charges full speed ahead in a second season brimming with warmth, empowerment, and a whole lot of laughs."[61] Metacritic assigned the season a score of 85 out of 100 based on 24 critics, indicating "universal acclaim".[62] Karen Lehrman Bloch called it "a timeless, transcendent work of art".
On Rotten Tomatoes, the third season holds a 79% approval rating, with an average rating of 7.6 out of 10 based on 52 reviews. The website's critical consensus reads, "As visually spectacular as ever, The Marvelous Mrs. Maisels banter and pace still fly with comedic fury – but shallow social commentary and wandering storylines highlight the show's increasingly superficial tendencies."[63] Metacritic assigned the season a score of 75 out of 100 based on 19 critics, indicating "generally favorable reviews".[64] Alan Sepinwall of Rolling Stone wrote that it offered "a lot of energy and fancy footwork that often makes no sense".[65]
On Rotten Tomatoes, the fourth season holds a 92% approval rating, with an average rating of 7.7 out of 10 based on 66 reviews. The website's critical consensus reads, "The Marvelous Mrs. Maisel has seemingly run out of fresh material, but it continues to reward fans with expert delivery and snappy presentation."[66] Metacritic assigned the season a score of 65 out of 100 based on 17 critics, indicating "generally favorable reviews".[67]
On Rotten Tomatoes, the fifth season holds a 96% approval rating, with an average rating of 7.85 out of 10 based on 47 reviews. The website's critical consensus reads, "All good comedy sets must arrive at a final punchline, and The Marvelous Mrs. Maisel reliably nails its own with a fifth season that wisely puts Rachel Brosnahan and Alex Borstein's repartee front and center.[68] Metacritic assigned the season a score of 80 out of 100 based on 15 critics, indicating "generally favorable reviews".[69]
| Year | Award | Category | Nominee(s) | Result | |
|---|---|---|---|---|---|
| 2018 | Golden Globe Awards | Best Television Series – Musical or Comedy | The Marvelous Mrs. Maisel | [70] | |
| Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | ||||
| Critics' Choice Television Awards | Best Comedy Series | The Marvelous Mrs. Maisel | [71] | ||
| Best Actress in a Comedy Series | Rachel Brosnahan | ||||
| Best Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Producers Guild of America Awards | Outstanding Producer of Episodic Television – Comedy | Amy Sherman‐Palladino, Daniel Palladino, Dhana Rivera Gilbert & Sheila Lawrence | [72] [73] | ||
| Directors Guild of America Awards | Outstanding Directorial Achievement for a Comedy Series | [74] | |||
| Costume Designers Guild Awards | Excellence in Period Television | Donna Zakowska | [75] | ||
| Location Managers Guild Awards | Outstanding Locations in Period Television | Amanda Foley-Burbank & Jose Guerrero | [76] | ||
| Peabody Awards | Entertainment, children's and youth honoree | The Marvelous Mrs. Maisel | [77] | ||
| Television Critics Association Awards | Outstanding Achievement in Comedy | The Marvelous Mrs. Maisel | [78] | ||
| Outstanding New Program | |||||
| Individual Achievement in Comedy | Rachel Brosnahan | ||||
| Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | [79] [80] | ||
| Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | ||||
| Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub | ||||
| Outstanding Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Outstanding Directing for a Comedy Series | Amy Sherman-Palladino | ||||
| Outstanding Writing for a Comedy Series | |||||
| Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Comedy Series | [81] | |||
| Outstanding Casting for a Comedy Series | Meredith Tucker, Jeanie Bacharach & Cindy Tolan | ||||
| Outstanding Cinematography for a Single Camera Series | |||||
| Outstanding Hairstyling for a Single Camera Series | Francesca Paris, Christine Cantrell, Cassie Hurd & Reo Anderson | ||||
| Outstanding Music Supervision | |||||
| Outstanding Period Costumes | Donna Zakowska, Marina Rei, Ginnie Patton & Sheila Grover | ||||
| Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen | ||||
| Outstanding Single-Camera Picture Editing for a Comedy Series | Brian A. Kates | ||||
| People's Choice Awards | The Bingeworthy Show of 2018 | The Marvelous Mrs. Maisel | [82] [83] | ||
| American Film Institute Awards | Top 10 TV Programs of the Year | The Marvelous Mrs. Maisel | [84] | ||
| 2019 | Golden Globe Awards | Best Television Series – Musical or Comedy | The Marvelous Mrs. Maisel | [85] | |
| Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | ||||
| Best Supporting Actress – Series, Miniseries or Television Film | Alex Borstein | ||||
| Dorian Awards | TV Comedy of the Year | The Marvelous Mrs. Maisel | [86] [87] | ||
| TV Performance of the Year – Actress | Rachel Brosnahan | ||||
| Critics' Choice Television Awards | Best Comedy Series | The Marvelous Mrs. Maisel | [88] | ||
| Best Actress in a Comedy Series | Rachel Brosnahan | ||||
| Best Supporting Actor in a Comedy Series | Tony Shalhoub | ||||
| Best Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Producers Guild of America Awards | Outstanding Producer of Episodic Television – Comedy | Amy Sherman‐Palladino, Daniel Palladino, Dhana Rivera Gilbert & Sheila Lawrence | [89] | ||
| Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Comedy Series | Caroline Aaron, Alex Borstein, Rachel Brosnahan, Marin Hinkle, Zachary Levi, Kevin Pollak, Tony Shalhoub, Brian Tarantina & Michael Zegen | [90] | ||
| Outstanding Performance by a Male Actor in a Comedy Series | Tony Shalhoub | ||||
| Outstanding Performance by a Female Actor in a Comedy Series | Alex Borstein | ||||
| Rachel Brosnahan | |||||
| Artios Awards | Outstanding Achievement in Casting – Television Pilot & First Season – Comedy | Jeanie Bacharach, Cindy Tolan, Anne Davison (Associate) & Betsy Fippinger (Associate) | [91] | ||
| American Cinema Editors Eddie Awards | Best Edited Comedy Series for Non-Commercial Television | Kate Sanford | [92] | ||
| Tim Streeto | |||||
| Art Directors Guild Awards | Excellence in Production Design for a One-Hour Period or Fantasy Single-Camera Series | Bill Groom | [93] | ||
| Directors Guild of America Awards | Outstanding Directorial Achievement in Comedy Series | Daniel Palladino | [94] | ||
| Amy Sherman-Palladino | |||||
| American Society of Cinematographers Awards | Outstanding Achievement in Cinematography for a Movie, Miniseries, or Pilot for Television | M. David Mullen | [95] | ||
| Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for a Television Series – One Hour | Mathew Price, Ron Bochar, Michael Miller, David Boulton & Steven Visscher | [96] | ||
| Make-Up Artists and Hair Stylists Guild Awards | Television Series, Television Mini Series or Television New Media Series – Best Period and/or Character Make-up | Patricia Regan, Claus Lulla & Joseph A. Campayno | [97] | ||
| Television Series, Television Mini Series or Television New Media Series – Best Period and/or Character Hair Styling | Jerry DeCarlo, Jon Jordan & Peg Schierholz | ||||
| Golden Reel Awards | Broadcast Media Longform Music / Musical | Annette Kudrak | [98] | ||
| Writers Guild of America Awards | Television: Comedy Series | Kate Fodor, Noah Gardenswartz, Jen Kirkman, Sheila Lawrence, Daniel Palladino & Amy Sherman-Palladino | [99] | ||
| Costume Designers Guild Awards | Excellence in Period Television | Donna Zakowska | [100] | ||
| Television Critics Association Awards | Outstanding Achievement in Comedy | The Marvelous Mrs. Maisel | [101] | ||
| Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | [102] | ||
| Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | ||||
| Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub | ||||
| Outstanding Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Marin Hinkle | |||||
| Outstanding Directing for a Comedy Series | Amy Sherman-Palladino | ||||
| Daniel Palladino | |||||
| Primetime Creative Arts Emmy Awards | Outstanding Guest Actor in a Comedy Series | [103] | |||
| Outstanding Guest Actress in a Comedy Series | Jane Lynch | ||||
| Outstanding Casting for a Comedy Series | Cindy Tolan | ||||
| Outstanding Cinematography for a Single-Camera Series (One Hour) | M. David Mullen | ||||
| Outstanding Hairstyling for a Single Camera Series | Jerry DeCarlo, Jon Jordan, Peg Schierholz, Christine Cantrell & Sabana Majeed | ||||
| Outstanding Make-up for a Single-Camera Series (Non-Prosthetic) | Patricia Regan, Joseph Campayno & Claus Lulla | ||||
| Outstanding Music Supervision | Robin Urdang, Amy Sherman-Palladino & Daniel Palladino | ||||
| Outstanding Period Costumes | Donna Zakowska, Marina Reti & Tim McKelvey | ||||
| Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen | ||||
| Outstanding Single-Camera Picture Editing for a Comedy Series | Kate Sanford | ||||
| Tim Streeto | |||||
| Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) | Ron Bochar, Mathew Price, David Bolton & George A. Lara | ||||
| 2020 | Golden Globe Awards | Best Television Series – Musical or Comedy | The Marvelous Mrs. Maisel | [104] | |
| Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | ||||
| Critics' Choice Television Awards | Best Comedy Series | The Marvelous Mrs. Maisel | [105] | ||
| Best Actress in a Comedy Series | Rachel Brosnahan | ||||
| Best Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Producers Guild of America Awards | Outstanding Producer of Episodic Television – Comedy | Amy Sherman-Palladino, Daniel Palladino, Dhana Gilbert, Daniel Goldfarb, Kate Fodor, Sono Patel & Matthew Shapiro | [106] | ||
| Directors Guild of America Awards | Outstanding Directorial Achievement in Comedy Series | [107] | |||
| Daniel Palladino | |||||
| Amy Sherman-Palladino | |||||
| Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Comedy Series | Caroline Aaron, Alex Borstein, Rachel Brosnahan, Marin Hinkle, Stephanie Hsu, Joel Johnstone, Jane Lynch, Leroy McClain, Kevin Pollak, Tony Shalhoub, Matilda Szydagis, Brian Tarantina & Michael Zegen | [108] | ||
| Outstanding Performance by a Male Actor in a Comedy Series | Tony Shalhoub | ||||
| Outstanding Performance by a Female Actor in a Comedy Series | Alex Borstein | ||||
| Rachel Brosnahan | |||||
| American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Regular Series for Non-Commercial Television | [109] | |||
| Costume Designers Guild Awards | Excellence in Period Television | Donna Zakowska | [110] | ||
| Casting Society of America | Television Series – Comedy | Cindy Tolan, Juliette Ménager & Anne Davison | [111] | ||
| Art Directors Guild Awards | Excellence in Production Design for a One-Hour Period or Fantasy Single-Camera Series | Bill Groom | [112] | ||
| Writers Guild of America Awards | Television: Comedy Series | Kate Fodor, Noah Gardenswartz, Daniel Goldfarb, Alison Leiby, Daniel Palladino, Sono Patel, Amy Sherman-Palladino & Jordan Temple | [113] | ||
| Television: Episodic Comedy | Amy Sherman-Palladino | ||||
| Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | [114] | ||
| Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | ||||
| Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub | ||||
| Sterling K. Brown | |||||
| Outstanding Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Marin Hinkle | |||||
| Outstanding Directing for a Comedy Series | Amy Sherman-Palladino | ||||
| Daniel Palladino | |||||
| Primetime Creative Arts Emmy Awards | Outstanding Guest Actor in a Comedy Series | ||||
| Outstanding Guest Actress in a Comedy Series | |||||
| Outstanding Casting for a Comedy Series | Cindy Tolan | ||||
| Outstanding Cinematography for a Single-Camera Series (One Hour) | M. David Mullen | ||||
| Outstanding Music Supervision | Robin Urdang, Amy Sherman-Palladino & Daniel Palladino | ||||
| Outstanding Original Music and Lyrics | Thomas Mizer & Curtis Moore | ||||
| Outstanding Period and/or Character Hairstyling | Kimberley Spiteri, Michael S. Ward & Tijen Osman | ||||
| Outstanding Period and/or Character Make-up (Non-Prosthetic) | Patricia Regan, Claus Lulla, Joseph Campayno, Margot Boccia, Michael Laudati, Tomasina Smith, Roberto Baez & Alberto Machuca | ||||
| Outstanding Period Costumes | Donna Zakowska, Marina Reti, Sheila Grover & Ginnie Patton | ||||
| Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen | ||||
| Outstanding Single-Camera Picture Editing for a Comedy Series | Kate Sanford & Tim Streeto | ||||
| Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) | Mathew Price, Ron Bochar, George A. Lara & David Bolton | ||||
| 2021 | Hollywood Music in Media Awards | Best Original Song in a TV Show/Limited Series | Thomas Mizer & Curtis Moore | [115] | |
| American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in an Episode of a One-Hour Television Series – Non-Commercial | M. David Mullen | [116] | ||
| Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | Mathew Price, Ron Bochar, Stewart Lerman, David Boulton and George A. Lara | [117] | ||
| 2022 | Set Decorators Society of America Awards | Best Achievement in Décor/Design of a One Hour Period Series | Ellen Christiansen and Bill Groom | [118] | |
| Hollywood Critics Association TV Awards | Best Streaming Series, Comedy | The Marvelous Mrs. Maisel | [119] | ||
| Best Actress in a Streaming Series, Comedy | Rachel Brosnahan | ||||
| Best Supporting Actor in a Streaming Series, Comedy | Tony Shalhoub | ||||
| Best Supporting Actress in a Streaming Series, Comedy | Alex Bornstein | ||||
| Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | [120] | ||
| Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | ||||
| Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub | ||||
| Outstanding Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Primetime Creative Arts Emmy Awards | Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen | |||
| Outstanding Cinematography for a Single-Camera Series (One Hour) | M. David Mullen | ||||
| Outstanding Period Costumes | Donna Zakowska, Moria Sine Clinton, Ben Philipp, Ginnie Patton, Dan Hicks & Mikita Thompson | ||||
| Outstanding Period and/or Character Hairstyling | Kimberley Spiteri, Barbara Dally & Daniel Koye | ||||
| Outstanding Period and/or Character Makeup (Non-Prosthetic) | Patricia Regan, Claus Lulla, Margot Boccia, Tomasina Smith, Michael Laudati, Roberto Baez & Alberto Machuca | ||||
| Outstanding Original Music and Lyrics | Thomas Mizer & Curtis Moore | ||||
| Outstanding Music Supervision | Robin Urdang | ||||
| Artios Awards | Outstanding Achievement in Casting – Television Comedy Series | Cindy Tolan, Anne Davison | [121] | ||
| Art Directors Guild Awards | Excellence in Production Design for a One-Hour Period Single-Camera Series | Bill Groom | [122] | ||
| Hollywood Music in Media Awards | Best Original Song – TV Show/Limited Series | Thomas Mizer & Curtis Moore | [123] | ||
| AACTA International Awards | Best Comedy Series | The Marvelous Mrs. Maisel | [124] | ||
| American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in an Episode of a One-Hour Television Series – Non-Commercial | M. David Mullen | [125] | ||
| Alex Nepomniaschy | |||||
| Costume Designers Guild Awards | Excellence in Period Television | Donna Zakowska | [126] | ||
| Directors Guild of America Awards | Outstanding Directorial Achievement in a Comedy Series | Amy Sherman Palladino | [127] | ||
| 2023 | Screen Actors Guild Awards | Outstanding Performance by a Female Actor in a Comedy Series | Rachel Brosnahan | [128] | |
| Golden Trailer Awards | Best Comedy for a TV/Streaming Series (Trailer/Teaser/TV Spot) | "Midge" (Mark Wollen & Associates) | [129] | ||
| Best Music for a TV/Streaming Series (Trailer/Teaser/TV Spot) | "Icon" (Project X/AV) | ||||
| Hollywood Music in Media Awards | Best Original Song — TV Show/Limited Series | Curtis Moore and Thomas Mizer | [130] | ||
| 2024 | Art Directors Guild Awards | Excellence in Production Design for a One-Hour Period Single-Camera Series | Bill Groom | [131] | |
| Astra TV Awards | Best Streaming Series, Comedy | The Marvelous Mrs. Maisel | [132] [133] | ||
| Best Actress in a Streaming Series, Comedy | Rachel Brosnahan | ||||
| Best Supporting Actor in a Streaming Series, Comedy | Tony Shalhoub | ||||
| Best Supporting Actress in a Streaming Series, Comedy | Alex Borstein | ||||
| Best Directing in a Streaming Series, Comedy | Amy Sherman-Palladino | ||||
| Best Writing in a Streaming Series, Comedy | Amy Sherman-Palladino and Daniel Palladino | ||||
| Astra Creative Arts TV Awards | Best Guest Actor in a Comedy Series | Luke Kirby | |||
| Best Guest Actress in a Comedy Series | Jane Lynch | ||||
| Best Casting in a Comedy Series | The Marvelous Mrs. Maisel | ||||
| Best Period Costumes | |||||
| Best Original Song | "Your Personal Trash Man Can" | ||||
| AACTA International Awards | Best Comedy Series | The Marvelous Mrs. Maisel | [134] | ||
| Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | Mathew Price, Ron Bochar, Stewart Lerman, George A. Lara | [135] | ||
| Critics' Choice Television Awards | Best Comedy Series | The Marvelous Mrs. Maisel | [136] | ||
| Best Actress in a Comedy Series | Rachel Brosnahan | ||||
| Best Supporting Actress in a Comedy Series | Alex Bornstein | ||||
| Golden Globe Awards | Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | [137] | ||
| Golden Reel Awards | Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue and ADR | Ron Bochar, Sara Stern, Ruth Hernandez | [138] | ||
| Outstanding Achievement in Music Editing – Broadcast Long Form | Annette Kudrak | ||||
| Make-Up Artists and Hair Stylists Guild Awards | Best Period and/or Character Make-Up in a Television Series, Limited, Miniseries, or Movie for Television | Patricia Regan, Joseph A. Campayno, Claus Lulla, Michael Laudati | [139] | ||
| Best Period and/or Character Hair Styling in a Television Series, Limited, Miniseries, or Movie for Television | Kimberley Spiteri, KeLeen Snowgren | ||||
| Best Special Make-Up Effects in a Television Series, Limited, Miniseries, or Movie for Television | Mike Marino, Richard Redlefsen, Kevin Kirkpatrick | ||||
| Primetime Creative Arts Emmy Awards | Outstanding Guest Actor in a Comedy Series | Luke Kirby | [140] | ||
| Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince, and Ellen Christiansen | ||||
| Outstanding Choreography for Scripted Programming | Marguerite Derricks | ||||
| Outstanding Cinematography for a Series (One Hour) | M. David Mullen | ||||
| Outstanding Period Costumes for a Series | Donna Zakowska, Katie Hartsoe, Ben Philipp, Amanda Seymour, Claire Aquila, Marie Seifts | ||||
| Outstanding Period and/or Character Hairstyling | Kimberley Spiteri, Keleen Snowgren, Diana Sikes, Valerie Gladstone, Emily Rosko, Matthew Armentrout | ||||
| Outstanding Period and/or Character Makeup (Non-Prosthetic) | Patricia Regan, Claus Lulla, Joseph A. Campayno, Michael Laudati, Tomasina Smith, Roberto Baez | ||||
| Outstanding Original Music and Lyrics | Curtis Moore, Thomas Mizer | ||||
| Outstanding Music Supervision | Robin Urdang | ||||
| Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) | Ron Bochar, Mathew Price, Stewart Lerman, George A. Lara | ||||
| Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | |||
| Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | ||||
| Outstanding Supporting Actress in a Comedy Series | Alex Borstein | ||||
| Outstanding Directing for a Comedy Series | Amy Sherman-Palladino | ||||
| Satellite Awards | Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | [141] | ||
| Screen Actors Guild Awards | Outstanding Performance by a Female Actor in a Comedy Series | Alex Borstein | [142] | ||
| Rachel Brosnahan |