| Show Name: | Mahishasuramardini |
| Other Names: | Chandipath Mahalaya |
| Format: | religious |
| Runtime: | 1 hr 29 mins |
| Country: | India |
| Language: | Bengali, Sanskrit |
| Home Station: | Akashvani |
| Narrated: | Birendra Krishna Bhadra |
| First Aired: | 1931 |
| Opentheme: | Conch blowing sound and Ya Chandi Song |
| Endtheme: | Shanti Dile Bhori song and Conch blowing sound |
Mahishasuramarddini is a widely popular early Bengali special dawn radio programme that has been broadcasting since 1931[1] on All India Radio (AIR) in Indian state West Bengal. Due to its increasing popularity, now-a-days it is also broadcast by many other stations of All India Radio across India. It is a one-and-a-half-hour audio montage of Chaṇḍipāaṭh (chanting from Chaṇḍi) recitation from the scriptural verses of Śrī Śrī Chaṇḍi or Durga Saptashati,[2] Bengali devotional songs, classical music and a dash of acoustic melodrama. The program has been translated into Hindi set to similar orchestration and is broadcast at the same time for a pan-Indian audience.[3] This programme is aired every year at day-break on Mahalaya. The programme, which started off as a live-performance, has been broadcast in its pre-recorded format since 1966.[4] [5] However, its great popularity remains undiminished even today over 93 years later.[6] [7] [8] [9]
This program has become synonymous with Mahalaya which is celebrated to usher the Devipaksha lunar fortnight and the Durga Puja. To this day, most of Bengal and East Indians fond of the programme wakes up in the breezily pre dawn hours, 4 am to be precise, on the Mahalaya day to tune into the Mahishasuramarddini broadcast. Presently, one of the recordings are available as audio cassettes and Compact Disks from HMV-RPG which has obtained the rights from All India Radio. The CD version (as of 2002) contains 19 tracks.[10]
Birendra Krishna Bhadra, who will always be remembered for making Mahalaya memorable to one and all, is the voice behind the “Mahisasura Mardini.”[11] He recites the holy verses and tells the story of the descent of Durga to earth. It was on the day of Mahalaya, the beginning of "Devipaksha", that the gods and goddesses woke up to prepare themselves for Durga Puja. In 1931, Mahalaya was first broadcast over the radio in Akashvani, Calcutta. The programme was organised by Pankaj Kumar Mallik, Premankur Aatorthi, Birendra Krishna Bhadra, Nripendra Krishna Mukhopadhyay and Raichand Boral.[12]
So popular was his version of the recitation that when in 1976, the voice of noted Bengali actor, Uttam Kumar was employed for the programme and renamed it as Durga Durgatiharini did not get favorable response from the audience and it was shifted back to the original version of Birendra Krishna Bhadra.[13]
Bhadra died long ago, but his recorded voice still forms the core of the Mahalaya program. In a sonorous voice Bhadra renders the Mahalaya recital for one and half thrilling hours, mesmerizing every household with the divine aura of his narration, as the Bengalis submerge their souls in quiet moments of prayer.
Though the theme is theological and the mantras Vedic, this program is a landmark composition. It is scripted by Bani Kumar, and narrated by Birendra Krishna Bhadra while Pratima Bandopadhyay (Amala Kirane), Dwijen Mukhopadhyay (Jago Durga Jago Doshoprohoronodharini), Manabendra Mukhopadhyay (Tabo Achinta), Sandhya Mukhopadhyay, Arati Mukhopadhyay, Utpala Sen, Shyamal Mitra and Supriti Ghosh (Bajlo tomar alor benu) sang in their melodious voices.[14] The enchanting music is composed by Pankaj Mullick.[15] The songs/chants in the order they appear in the programme are as follows:[16]
| Seq# | Singer | Song | English Transliteration | |
|---|---|---|---|---|
| 1 | Chorus | যা চণ্ডী | Ya Chandi | |
| 2 | Chorus | Simhastha Sashisekhara | ||
| 3 | Supriti Ghosh | বাজলো তোমার আলোর বেনু | Bajlo Tomar Alor Benu | |
| 4 | Dwijen Mukhopadhyay | জাগো তুমি জাগো | Jago Tumi Jago | |
| 5 | Shipra Bose | ওগো আমার আগমনী | Ogo amar agomoni | |
| 6 | Manabendra Mukhopadhyay | তব অচিন্ত্য় | Tabo Achintya | |
| 7 | Chorus | অহম্ | Aham Rudrebhirvasubhischara | |
| 8 | Krishna Dasgupta | অখিল বিমানে তব জয়গানে | Akhilo Bimane Tabo Jayagaane | |
| 9 | Chorus | Jayanti Mangala Kali | ||
| 10 | Shyamal Mitra/ Arati Mukherjee/ Ashima Bhattacharya | শুভ্র শঙ্খ রবে | Subhro Sankha Robe | |
| 11 | Chorus | Jatajutasamayuktamardhendukrita-Sekharam | ||
| 12 | Bimal Bhushan | নমো চন্ডী নমো চন্ডী | Namo Chandi Namo Chandi | |
| 13 | Sumitra Sen | মাগো তব বিনে | Mago Tabo Bine | |
| 14 | Sandhya Mukhopadhyay | বিমানে বিমানে আলোকের গানে | Bimane Bimane Aloker Gaane | |
| 15 | Chorus | জয় জয় হে মহিষাসুর মর্দ্দিনী | Jaya Jaya He Mahishashur Mardini | |
| 16 | Tarun Bandopadhyay | হে চিন্ময়ী | Hey Chinmoyi | |
| 17 | Pratima Bandopadhyay | অমল কিরনে | Amala Kirane | |
| 18 | Pankaj Kumar Mullick, Chorus | রুপং দেহী জয়ং দেহী | Rupam Dehi Jayam Dehi | |
| 19 | Utpala Sen | শান্তি দিলে ভরি | Shanti Dile Bhaari |
As the recital begins, the serene morning air resonates with the long drawn sound of the sacred conch shell, followed by a tune in Raga Malkosh, which ultimately leads to the start of the programme with the prayer to Goddess Chandi. Immediately an atmosphere is created full of assurance, respect and universal love and peace. This way, Mahisasurmardini took a permanent place in the heart of Bengali as well as Indian culture.
