| Machine Gun Etiquette | |
| Type: | studio |
| Artist: | the Damned |
| Cover: | Damned_machine_gun_etiquette.jpg |
| Released: | 9 November 1979[1] |
| Recorded: | March–May and July–August 1979 in London, England |
| Studio: |
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| Genre: |
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| Label: | Chiswick |
| Producer: |
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| Prev Title: | Music for Pleasure |
| Prev Year: | 1977 |
| Next Title: | The Black Album |
| Next Year: | 1980 |
Machine Gun Etiquette is the third studio album by English punk rock band the Damned, released on 9 November 1979 by Chiswick Records. The album peaked at No. 31 on the UK Charts[5]
The album was the group's first since reforming with a new lineup of previous members Dave Vanian on vocals, Captain Sensible on lead guitar, Rat Scabies on drums, plus newcomer Algy Ward of Australian punk band The Saints on bass guitar on his only album with the band.
On Machine Gun Etiquette, the band brought more variety to their usual punk rock to add wide-ranging influences from hard rock and heavy metal to psychedelic rock, a tinge of progressive rock and even classic 1960s rhythm and blues and the record has been described by journalists and fans alike as The Beach Boys meets Motörhead with T. Rex and Judas Priest influences thrown in for good measure. The album also features more fast-paced punk tracks, and has been cited as a 'proto-hardcore' record crucial for the later rise of hardcore punk into the 1980s.[3]
The voice at the album's start is actor Jack Howarth, taken from his 1971 album Ow Do, a recording of Lancastrian monologues.
The album features multiple guest musicians. Lemmy plays bass on the band's take on The Sweet's "Ballroom Blitz", which was not on the album at time of release but released as a single; the song was also added to the reissued version of the album. Joe Strummer and Paul Simonon also appear on the album. Philip Lloyd-Smee contributed to the sleeve and logo design work on Machine Gun Etiquette.
AllMusic's retrospective review reported that when it was released, Machine Gun Etiquette was "deservedly hailed as another classic from the band". The website praised the variety of styles explored and the group's typically strong wit.
Scott Rowley of Classic Rock magazine, reviewing the 25th Anniversary Edition of the album, defined it as "a riotous, ballsy rush of an album [...] the sound of a band coming into its own", adding that "while the Clash looked to America for inspiration, the Damned remained resolutely British", perhaps ironically given that the front cover depicted the band in a New York street scene at 704 7th Avenue, New York City.[6]
Credits adapted from the 2004 CD reissue liner notes.[2] [7]
The Damned
Additional personnel
Production and artwork