| Like Herod | |
| Type: | instrumental |
| Artist: | Mogwai |
| Album: | Mogwai Young Team |
| Studio: | MCM Studios, Hamilton, Scotland |
| Genre: | Post-rock |
| Label: | Chemikal Underground, Jetset |
| Producer: | Paul Savage |
"Like Herod" is a song by Scottish post-rock band Mogwai from their 1997 debut studio album, Mogwai Young Team, written by Stuart Braithwaite, Dominic Aitchison, John Cummings and Martin Bulloch.[1] As well as being a fan-favourite, the song is a live staple, and an extreme display of Mogwai's quiet/loud dynamic contrast method.[2] An 18-minute-long version of "Like Herod" (recorded live by Steve Lamacq from a BBC Radio Session at the BBC Recording and Broadcast Studio in Maida Vale in March 1999) appears on Mogwai's live compilation album, .[3] The song was originally titled "Slint", referring to the influential American post-rock band Slint.[4] Stuart Braithwaite has said that "Like Herod" is his favourite song from Mogwai Young Team.[5]
"Like Herod" is an 11-minute 39 second long instrumental in the key of E minor. The song begins with a bassline similar to that of the Manic Street Preachers' song "Ifwhiteamericatoldthetruthforonedayit'sworldwouldfallapart": This is joined at (0:04) by a guitar, doubling the bassline, and at (0:16) by quiet drumming, and an additional guitar counter-melody. At (0:46), the song progresses into an alternate melody, based around the chord of C major seventh, which is repeated, then the song goes back to repeating the main melody until (1:30), where the alternate melody is repeated once more. The drums then begin to get quieter and quieter, coming to a halt at (2:15), leaving only the guitars and the bass to play the main and alternate melodies themselves, which they do until (2:57), when all the instruments explode in a barrage of deafening noise, featuring a heavy drumbeat and highly distorted, screeching guitars. This continues until (4:51), where the original bassline is introduced once more, and the original drumbeat begins playing. At (5:17), the drumbeat stops abruptly and all that is heard is the bassline, and a guitar, plucking a muted note. This continues, with the plucked note becoming gradually more erratic, until (6:15), when all of the instruments explode into another torrent of noise, almost identical to the last one, albeit with more guitar feedback in the background. This continues until (8:08), when the drumbeat becomes calmer, the guitar feedback becomes more subdued, and the bass can be heard quietly in the background, repeating a heavily distorted note at the start of each bar. At (10:11), the drumbeat ends and all that can be heard is the steady pulse of the ride cymbal, the distorted bass note, and a guitar feedbacking, until (10:20), when it seems to go gradually upwards in pitch, ending at (10:29). Snippets of feedback are heard momentarily as the bass note continues to be played, until (11:05), when the bass note plays one last time, and begins feedbacking, along with subdued guitar noise in the background, until (11:35), when all the instruments cease playing and the song ends.
During professional reviews, "Like Herod" received mostly good reception. The song is an album track pick at Allmusic.[6] Brandon Wu of Ground and Sky notes the "raw power in [the] piece, but unlike the best Mogwai pieces it lacks any sort of melody or beauty."[2] However, Ian Mathers of Stylus Magazine dismisses the song as "good-but-redundant."[7]