Kullervo (Madetoja) Explained

Kullervo
Type:Symphonic poem
Image Upright:1
Border:Yes
Publisher: (1947)
Opus:15
Duration: 14 minutes
Premiere Location:Helsinki, Finland
Premiere Conductor:Leevi Madetoja
Premiere Performers:Helsinki Philharmonic Society

Kullervo, Op. 15, is a symphonic poem (Finnish: sinfoninen runoelma|italics=no) for orchestra written in 1913 by Finnish composer Leevi Madetoja. The piece premiered on 14 October 1913 with Madetoja conducting the Helsinki Philharmonic Society.

Background

Composition

Although Madetoja belonged to national romantic movement in Finland, he did not—unlike many of the movement's artists and composers, such as Akseli Gallen-Kallela and Jean Sibelius—often turn to the Kalevala as a source of inspiration. Indeed, Kullervo is Madetoja's only notable composition after the national epic. Madetoja was the fourth composer to tackle the subject of Kullervo. First, in 1860, Filip von Schantz wrote the Kullervo Overture (Finnish: Kullervo-alkusoitto), which he had intended as the prelude to an opera; this piece premiered the same year in Helsinki at the opening of the Swedish Theatre. Second, in 1880, Robert Kajanus composed and premiered in Leipzig Kullervo's Funeral March (Finnish: Kullervon surumarssi); though Wagnerian in its chromaticism, it makes use of the Finnish folk song O Mother, so pitiable and poor! (Finnish: Voi äiti parka ja raukka!). Finally, in 1892, Jean Sibelius composed and premiered in Helsinki the choral symphony Kullervo, for baritone, soprano, mixed chorus, and orchestra; however, Sibelius withdrew his Kullervo in 1893, and therefore, it could not have served as a model for Madetoja; it is also unlikely that he was familiar with the pieces by von Schantz and Kajanus. Instead, the most readily-available Kalevala-themed examples would have been Sibelius's Lemminkäinen Suite (from which two numbers, The Swan of Tuonela and Lemminkäinen's Return, had been published in 1900) and Pohjola's Daughter.

Premiere

Kullervo premiered on 14 October 1913 with Madetoja conducting the Helsinki Philharmonic Society. It was the final number on a program that also included other orchestral novelties by Madetoja: the Concert Overture (Finnish: Konserttialkusoitto|italics=no; Op. 7, 1911); Melody and Little Romance (Finnish: Melodia ja Pieni romanssi; Op. 17, 1913); Dance Vision (Finnish: Tanssinäky; Op. 11; 1911); Finnish: Merikoski, a cantata for mixed choir and orchestra to text by V. A. Koskenniemi (Op. 10, 1911); and the original three-movement version of the Little Suite (Finnish: Pieni sarja; Op. 12, 1913).

Instrumentation

Kullervo is scored for the following instruments:

4 horns (in F), 2 trumpets (in C), 3 trombones, and tuba

timpani, triangle, cymbals, bass drum, tambourine, and castanets

(Finnish: Suomen Säveltäjät ry|italics=no) published the symphonic poem in 1947; Fennica Gehrman is the current distributor.

Recordings

The sortable table below lists commercially available recordings of Kullervo:

ConductorOrchestraTimeRecording venueLabel
Finnish Radio Symphony Orchestra198114:07Yle's Helsinki studiosFinlandia
Oulu Symphony Orchestra199814:03Madetoja Hall,
Helsinki Philharmonic Orchestra201214:13Helsinki Music CentreOndine
Lahti Symphony Orchestra202014:01Sibelius HallBIS

Notes, references, and sources

Liner notes
Journals and magazines
Newspaper articles (by date)

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Kullervo (Madetoja)".

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