| John Coley | |
| Birth Name: | John William Coley |
| Birth Place: | Palmerston North, New Zealand |
| Alma Mater: | Canterbury College School of Art |
| Known For: | Painting, art criticism, curation and art administration |
| Notable Works: | Abacus series |
John William Coley (born 1935) is a Christchurch painter and art critic. He was director of the Robert McDougall Art Gallery (now known as the Christchurch Art Gallery Te Puna o Waiwhetu) from 1981 to 1995.
John William Coley was born in 1935[1] in Palmerston North.[2] He went to Palmerston North Boys’ High School along with evening art classes at the city's Technical School. Coley's first job was as a cadet reporter on the Manawatu Evening Standard.[3] In 1955 he was a student at the Canterbury College School of Art in Christchurch being taught by Russell Clark and Bill Sutton along with fellow students Ted Bracey, Pat Hanly, Gil Tavener (Hanly), Hamish Keith and Bill Culbert.[4] During their time at the art school it moved from its city site to Ilam.[5] Coley graduated in 1957 and went on to teach at Papanui High School and later in the art department of the Christchurch Teachers’ College.[6] In 1959 Coley had his first solo exhibition at Gallery 91 the Christchurch Press art critic Nelson Kenny writing that Coley had ‘the gift of a colourist’ and a ‘good unforced feeling for paint.” Kenny added, ‘...it's a measure of Mr. Coley's talent that he is most successful in his larger paintings. It is a very skilful essay in the use of colours which few painters will attempt to use – orange and purple, the warmest and coolest colours.’[7] The following year he was invited to exhibit with The Group which he continued to do annually, with the exception of 1966 and 1968, until the last Group show in 1977.[8] Coley received a Queen Elizabeth II Arts Council Grant in1964 and used it to visit the USA.[9] On his return from the States Coley, along with a number of other young Canterbury artists he knew from student days, helped form 20/20 Vision.[10] One project involved creating a set of artist prints commercially screen printed, an affront to the hand-made culture of printmaking at the time, and sold for only two dollars each. Artists that contributed to the series included Greer Twiss, Derek Mitchell, Don Peebles and Coley himself.[11] In 1967 Coley painted the first of his Abacus series that would become his signature work. You can see an example of one of these paintings here at the Dunedin Public Art Gallery.[12]
At the beginning of 1981 the director of the Robert McDougal Art Gallery in Christchurch Rodney Wilson left the gallery and the job was passed on to John Coley. Wilson, as a challenge to the incoming director noted that ‘Christchurch deserves a bigger and better gallery than it has - it deserves the sort of programme that would result from the provision of more gallery space and spaces better suited to contemporary works.’[13] Coley would be Director of the gallery for the next 15 years, his arrival described by artist Steve Furlonger as, ‘the kiss of life.’[14] A year after his appointment Coley purchased Colin McCahon's As There is a Constant Flow of Light.[15] The decision was not well received.[16] A previous painting Tomorrow will be the same but not as this is, shown at Gallery 91, caused an uproar when the City Librarian Ron O'Reilly attempted to have it donated to the gallery.[17] Coley remained a champion of McCahon and in 1986 after a visit to that National Gallery of Australia and discussions with its first director James Mollison arranged the loan of an Arthur Boyd painting to the Robert McDougall Art Gallery. In exchange for McCahon's The Crucifixion According to St Mark which would feature in the new Australian National Gallery's inaugural installations.[18] During his time at the gallery Coley paid particular attention to contemporary art and the art of younger artists.[19] To further highlight this focus he created the Robert McDougall Contemporary Art Annex.
The Annex opened in 1988 in the Arts Centre that was formally University of Canterbury's town location. The programme was set out to focus on local and international touring exhibitions ‘with an emphasis on Canterbury Art’[20] In keeping with its name the opening exhibition Here and Now included the work of 12 emerging Canterbury artists Joanna Braithwaite, Gary Collins, William Dunning, Neil Frazer, Jason Greig, Linda James, Grant Lingard, Philip Price, Richard Reddaway, Grant Takle, Bianca van Rangelrooy and Tracey Wilson.[21]
The Contemporary Art Annex would remain open for 12 years closing in 2000.[24] Coley left the gallery in 1995, he was replaced by Tony Preston. In 2007 he moved to Auckland with his wife.
Coley has a long record of exhibitions as a painter and regularly showed in dealer galleries throughout New Zealand.
For a good part of the 1970s, Coley was an art critic for the Christchurch Star.[31] For a short period in the early 1980s, before taking up the directorship of the Robert McDougall Art Gallery, he was also a critic and writer for Art New Zealand. In 2000 Coley had two books published: Jane Evans, an overview of the work of the Nelson-based artist published by Hazard Press, and Charles Luney: The Building of a Lifetime also published by the Hazard Press.[32] Luney was the builder of many of Christchurch's best known structures including the Miles Warren Town Hall and the James Hight Library at the University of Canterbury.
In the 1989 Queen's Birthday Honours, Coley was appointed a Member of the Order of the British Empire, for services to art.