| Unconscious | |||
| Native Name: |
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| Director: | Joaquín Oristrell | ||
| Producer: | Gerardo Herrero | ||
| Music: | Sergio Moure | ||
| Cinematography: | Jaume Peracaula | ||
| Editing: | Miguel Ángel Santamaría | ||
| Distributor: | Alta Classics | ||
| Runtime: | 108 minutes | ||
| Language: | Spanish | ||
Unconscious (es|'''Inconscientes'''|links=no) is a 2004 period comedy film directed by Joaquín Oristrell starring Leonor Watling and Luis Tosar, also featuring Mercedes Sampietro, Juanjo Puigcorbé, Núria Prims and Alex Brendemühl in supporting roles.
Set in 1913 Barcelona and displaying the popularization of the theories of psychoanalysis as a backdrop, the plot follows the pregnant wife of a renowned Freudian psychiatrist who enlists the help of her admiring brother-in-law to uncover the elaborate mystery of why her husband ran away from home. The more she digs for the truth about her husband, the more she discovers the unexpected lies surrounding her brother-in-law, her father, her sister, and herself.
It is an international co-production by companies from Spain, Italy, Germany and Portugal.
In 1913 Barcelona, Alma Mira, nine-months pregnant, is abandoned without explanation by her eminent psychiatrist husband, Dr. Leon Pardo, after his return from study with Dr. Freud in Vienna, which left him distraught. The witty and beautiful Alma enlists the help of her sister's husband, the dispassionate, repressed psychiatrist, Dr. Salvador Pitfarré, to help her solve the mystery of Leon's fugue state. Secretly in love with Alma and ignoring his better judgment, Salvador agrees to help her, though it will cause trouble for him with his prim, frigid wife, Olivia, Alma's sister. Olivia’s sibling rivalry extends to declaring Alma lucky because Leon’s penis size is not as large as Salvador’s, which Olivia finds distasteful. Olivia deems Alma their father’s favorite, though Alma’s hysterical symptoms in her father’s presence include hiccups and paralysis.
For clues to the mystery, Alma and Salvador consult Leon’s thesis, The Hysterical Woman: Four Cases, based on Freudian theories applied to four patients: Tórtula, Pastora, Señora Ducati, and Noel.
TÓRTULA, star of pornographic films, appealed to Leon to pay off blackmailers and retrieve a locket containing proof of her sexual relationship with King Alfonso XIII. Tórtula introduced Leon to masochism, portrayed in her pornographic films, in which he participated. Leon’s desire for humiliation stemmed from his strict father, whom he dubbed “Dr. Frankenstein”, who abused him.
PASTORA was committed to the mental hospital by her husband, with the help of Leon, for “being a threat to society,” which Pastora claims common practice by husbands aided by corrupt doctors. A drug addict, Pastora introduced Leon to drugs supplied by her husband. Leon spent all his money on his addiction, going bankrupt.
SEÑORA DUCATI is a woman with “penis envy.” Alma and Salvador eventually learn that Señora Ducati is Olivia, who has been leading a secret life. Drugging Salvador every Tuesday, Olivia slipped out with her lesbian lover, “Francis” to attend transvestite costume parties. Swapping clothes to attend one of these parties, Alma and Salvador learn that Olivia introduced Leon to transvestism. Olivia runs off with Francis to live her real life.
NOEL, raised in an orphanage, searches for her parentage, finding “her” mother in a brothel. Digging deeper, Alma and Salvador determine that Leon is “Noel” (his name backwards), acting in both the roles of doctor and patient and embracing his bisexuality.
Alma gives birth and tells Salvador, whom she now loves, that she will not accept Leon back should he return. During his investigation at the brothel, Salvador finds Leon, who has learned that his mother had been a maid in the home of Alma’s father, Dr. Mira. In his youth, Mira, the son of the household, seduced and impregnated the maid. Leon gave his alcoholic mother, “Senora Mingarro”, employment as housekeeper in his and Alma’s household. On the day of his fugue, Mira came by their home and was recognized by Senora Mingarro, who announced to Leon that Mira was his father. Thus, Leon learned that he was incestuously married to his half-sister, Alma. To avoid scandal, Mira encouraged Leon to ignore the discovery, attempting to bribe Leon’s silence by appointing him successor as Director of the psychiatric hospital, supplanting the faithful Salvador. Spurning the bribe, Leon took off.
Leon now blames Sigmund Freud for all his problems: He is a masochist, an exhibitionist, a drug addict, corrupt, a transvestite, son of a prostitute, and his father’s son-in-law; he impregnated his sister and harbors unrequited love for his best friend—Salvador Pitfarré.
After confessing all this to Salvador, Leon leaves Salvador tied up to a bed at the brothel, setting out to kill Freud at The Circle of Friends of Psychiatry, where Freud will be discussing his work, Totem and Taboo. As Leon points his gun at Freud, Mira blocks his aim; Leon says he will not hesitate to shoot him too, since according to Freud, we all want to kill our fathers. Salvador arrives and tackles Leon as he shoots Mira. A spectator’s shot misdirects and strikes the chandelier. As the chandelier falls, Mira embraces Leon, intentionally holding him under the chandelier. Both are killed.
Alma, Salvador, and her baby son sail off to Argentina, where a new life awaits them in a new world.
A joint Spanish/Italian/German/Portuguese co-production,[1] the film was produced by Tornasol Films and Messidor Films in co-production with EMC Asset Management, and Classic, with the participation of TVE, Canal+, Eurimages, Televisió de Catalunya, ICEC and ICAA.[2] Gerardo Herrero is credited as producer whereas Mariela Besuievski and Marta Esteban are credited as executive producers. The screenplay was penned by Oristrell alongside and .[3] [4]
Distributed by Alta Classics, the film was theatrically released in Spain on 27 August 2004.
The film was released on DVD in the United States under the title Unconscious.
|-| rowspan = "5" align = "center" | 2005 || rowspan = "5" | 19th Goya Awards || Best Original Screenplay || Joaquín Oristrell, Teresa de Pelegrín, Dominic Harari || || rowspan = "5" | [5] |-| Best Supporting Actress || Mercedes Sampietro || |-| Best Original Score || Sergio Moure || |-| Best Costume Design || Sabine Daigeler || |-| Best Makeup and Hairstyles || Karmele Soler, Paco Rodríguez || |}|-| rowspan = "5" align = "center" | 2005 || rowspan = "5" | Sundance Film Festival || Nominee for Grand Jury Prize - World Cinema Dramatic || Joaquín Oristrell|| || rowspan = "5" | [6] |-
|}|-| rowspan = "5" align = "center" | 2005 || rowspan = "5" |Monte Carlo Comedy Film Festival || Nominee for Jury Prize - Best Film || Joaquín Oristrell|| || rowspan = "5" | [7] |-
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