Hugo Zemp Explained

Hugo Zemp (born 14 May 1937, Basel, Switzerland) is a Swiss-French ethnomusicologist.[1] [2] A prolific recorder of ethnic music and a writer on the subject, he has also shot a number of films about music of various regions, including 1988 film Voix de tête, voix de poitrine and 2002 film An African Brass Band filmed by him in Ivory Coast in 2002.[2] His wide musical expertise includes music notably in Africa, Oceania and Switzerland. He also had particular interest in yodeling and lullabies.

His recordings of lullabies from Solomon Islands were later released by UNESCO as part of their Musical Sources collection. One lullaby he recorded in 1970, a traditional Baegu lullaby from the Solomon Islands called "Rorogwela" was sung by Afunakwa, a Northern Malaita old woman. The recording was later used, apparently without permission, in Deep Forest's song "Sweet Lullaby".[3]

Zemp studied musicology and anthropology at the University of Basel graduating in 1961. He also finished a diploma in percussion at the City of Basel Music Academy in 1960. He attended École pratique des hautes études for his doctorate.

He joined French National Centre for Scientific Research (CNRS) becoming a director of research. He taught ethnomusicology at the University of Paris X-Nanterre. In 1982, he became editor the recording series (Collection du Centre National de la Recherche Scientifique et du Musée de l'Homme[4] on the Le Chant du Monde record label. In tens of productions by Zemp, it included music from Azerbaijan, Bangladesh, Bolivia, Burkina Faso, Chad, Ivory Coast, Romania, Solomon Islands and various countries in Central Africa. There were also a number of recordings of yodeling from Switzerland.

Select bibliography

Select filmography

Select discography

External links

Notes and References

  1. http://www.discogs.com/artist/Hugo+Zemp Hugo Zemp Biography - Discogs
  2. http://ethnocenter.org/ZempTalk The Center for Ethnomusicology at Columbia University: A Conversation With Hugo Zemp
  3. Web site: Sweet Lullaby. 11 February 2016. On Art and Aesthetics. 20 September 2024.
  4. http://www.discogs.com/label/Collection+du+Centre+National+de+la+Recherche+Scientifique+et+du+Mus%C3%A9e+de+l%27Homme Discogs.com: Collection du Centre National de la Recherche Scientifique et du Musée de l'Homme
  5. Review. B. Lortat-Jacob. L'Homme. 12. 1. 1972. 140-142. fr. 20 September 2024.
  6. Review. Geneviève Calame-Griaule. Journal des Africanistes. 42. 2. 1972. 242-243. fr. 20 September 2024.
  7. Review. Bernard Juillerat. Journal de la Société des Océanistes. 60. 1978. 139-140. fr. 20 September 2024.
  8. Review. Steve Feld. Ethnomusicology. 23. 2. 1979. 331-334. 10.2307/851469. 20 September 2024.
  9. Review. Gilbert Rouget. L'Homme. 20. 1. 1980. 179-182. fr. 20 September 2024.
  10. Review. Peter Crowe. Ethnomusicology. 31. 2. 1987. 326-329. 10.2307/851895. 20 September 2024.
  11. Review. Robert Garfias. Ethnomusicology. 40. 1. 1996. 171-174. 10.2307/852462. 20 September 2024.
  12. Review. Carole Pegg. Yearbook for Traditional Music. 24. 1992. 191-194. 10.2307/768509. 20 September 2024.
  13. Review. Adrienne L. Kaeppler. Ethnomusicology. 18. 3. 1974. 477-478. 10.2307/850539. 20 September 2024.
  14. Review. Patrick O'Reilly. Journal de la Société des Océanistes. 32. 1971. 304. fr. 20 September 2024.
  15. Review. Richard M. Moyle. Ethnomusicology. 17. 2. 1973. 386-387. 10.2307/849917. 20 September 2024.
  16. Review. Patrick O'Reilly. Journal de la Société des Océanistes. 35. 1972. 179-180. fr. 20 September 2024.
  17. Review. Wolfgang Laade. Journal de la Société des Océanistes. 45. 1974. 314-315. 20 September 2024.