High Time (MC5 album) explained
High Time |
Type: | studio |
Artist: | MC5 |
Cover: | HighTimeMC5.jpg |
Released: | July 6, 1971 |
Recorded: | September–October 1970 |
Studio: |
|
Genre: | Proto-punk, hard rock |
Length: | 41:56 |
Label: | Atlantic |
Producer: | Geoffrey Haslam, MC5 |
Prev Title: | Back in the USA |
Prev Year: | 1970 |
Next Title: | Babes in Arms |
Next Year: | 1983 |
High Time is the second studio album by the American rock band MC5, released in 1971 by Atlantic Records.
Production
High Time was co-produced by the band and Atlantic staff engineer Geoffrey Haslam.
Release
High Time was released on July 6, 1971, by Atlantic Records. Dave Marsh wrote in the liner notes to the 1992 reissue:
Although the band's debut album, Kick Out the Jams, had peaked at No. 30 on the Billboard 200 chart, their second album stalled at No. 137, and High Time fared even worse commercially.
Reception
High Time has been generally well received by critics.
Lenny Kaye, writing for Rolling Stone, called the album "the first record that comes close to telling the tale of their legendary reputation and attendant charisma".[1] In his retrospective review, Mark Deming of AllMusic called it "[MC5's] most accessible album, but still highly idiosyncratic and full of well-written, solidly played tunes. [...] while less stridently political than their other work, musically it's as uncompromising as anything they ever put to wax and would have given them much greater opportunities to subvert America's youth if the kids had ever had the chance to hear it."[1]
Personnel
- MC5
- Michael Davis – bass, vocals, ka (track 7), production
- Wayne Kramer – guitar, vocals, piano (tracks 2 and 3), production
- Fred "Sonic" Smith – guitar, vocals, harmonica (track 1), organ (track 1), sandpaper (track 2), production, Album concept (as Frederico Smithelini)
- Dennis Thompson – drums, vocals (track 1), tambourine (track 1, 2 and 7), reen (tracks 2, 5), tamboes (track 4), acme scraper (track 5), percussion (track 8), production
- Rob Tyner – vocals, harmonica (track 1), maracas (track 1), rockas (track 2), castanets (track 6), conga (track 8), production, cover cartoon illustration
- Additional personnel
- Pete Kelly – piano on "Sister Anne"
- Dan Bullock – trombone on "Skunk"
- Ellis Dee – percussion on "Skunk"
- Lil' Bobby Wayne Derminer (Rob Tyner) – wizzer on "Future/Now"
- Merlene Driscoll – vocals on "Sister Anne"
- Rick Ferretti – trumpet on "Skunk"
- Dave Heller – percussion on "Skunk"
- Leon Henderson – tenor saxophone on "Skunk"
- Joanne Hill – vocals on "Sister Anne"
- Larry Horton – trombone on "Sister Anne"
- Skip "Van Winkle" Knapé – organ on "Miss X"
- Brenda Knight – vocals on "Sister Anne"
- Kinki Le Pew – percussion on "Gotta Keep Movin"
- Charles Moore – flugelhorn, vocals on "Sister Anne", trumpet, horn arrangement on "Skunk"
- Dr. Dave Morgan – percussion on "Skunk"
- Scott Morgan – percussion on "Skunk"
- Butch O'Brien – bass drum on "Sister Anne"
- David Oversteak – tuba on "Sister Anne"
- Bob Seger – percussion on "Skunk"
- Technical
- Geoffrey Haslam – production, engineering
- Mark Schulman - art direction
- Francis Ing - cover photography
Notes and References
- Kaye. Lenny. Lenny Kaye. MC5: High Time. Rolling Stone. September 2, 1971. 43.