Harikumar Madhavan Nair | |
Nationality: | Indian |
Alma Mater: | Film and Television Institute of India |
Occupation: | Film sound design Audiographer and Sound Designer |
Yearsactive: | 1993 – present |
Spouse: | Sandhya nair |
Father: | Madhavan Nair |
Mother: | Madhavi Amma |
Children: | Abhiram H |
Harikumar Madhavan Nair is an Indian film audiographer and sound designer. He works in Hindi and Malayalam cinema. He has worked on numerous documentary films and has won 3 National Film Award for Best Non-Feature Film Audiography.[1]
Hari prefers to use a distant microphone instead of a lapel microphone. He claims it offers a correct perspective relative to the visual image.[2] [3]
Year | Film / Documentary | Language | Notes |
---|---|---|---|
2019 | Nani | Malayalam | Kerala State Film Award for Best Sync Sound[4] |
2019 | Netaji | Irula | |
2016 | Ka Bodyscapes | ||
2015 | Call from the Other Shore (Documentary) | ||
2013 | One Cube in Numerals (Documentary) | ||
2013 | Kanyaka Talkies | Malayalam | Kerala State Award for Best Location Sound Recordist [5] |
2012 | A Memory of the sea (Documentary) | National Film Award for Best Non-Feature Film Audiography | |
2011 | Sengadal | Tamil | |
2011 | Gattu | Hindi | |
2011 | A Pestering Journey (Documentary) | English | National Film Award for Best Non-Feature Film Audiography [6] |
2009 | Loudspeaker | Malayalam | |
2009 | Do Din Ka Mela (Documentary) | National Film Award for Best Non-Feature Film Audiography | |
2008 | Manjadikuru | ||
2018 | Unni (2007 film) | ||
2006 | Valley of Flowers | Hindi / Japanese | |
2003 | Arimpara | ||
2001 | Samsara | ||
2000 | Choo Lenge Akash | ||