| G. Peter Jemison | |
| Honorific Suffix: | HDFA |
| Birth Name: | Gerald Peter Jemison |
| Nationality: | Seneca Nation of Indians, American |
| Education: | University of Siena |
| Alma Mater: | Buffalo State College, BS |
| Known For: | visual arts, curation, repatriation |
G. Peter Jemison (born 1945) is a Native American artist, curator, educator, and author. He is a citizen of the Seneca Nation of Indians
He is the founding curator of the American Indian Community House Gallery in New York City. Jemison's artwork is held in major metropolitan museums including the Metropolitan Museum of Art in New York and the British Museum in London.
He created a unique series using Haudenosaunee imagery and designs on paper bags. Jemison gained early success by showing his art to Tibor De Nagy, a prominent Manhatten gallerist. After fast success in his career, he then looked inward to find inspiration in his Seneca roots.[1]
G. Peter Jemison was born in 1945 in Silver Creek, New York. Jemison is a citizen of the Seneca Nation of Indians and belongs to the Heron clan.[2] His parents are Seneca people, but his unique surname comes from a Scots-Irish captive who decided to stay with the Seneca.
Jemison studied fine arts at the University of Sienna in Italy. He then went on to earn his Bachelor's of Science degree in art education from the Buffalo State College in 1967. He would also be awarded an Honorary Doctorate of Fine Arts from the same college in 2003.[3]
Jemison is a mixed-media artist well known for his art on paper bags as well as an author. His work is representative of orenda which is a Haudenosaunee belief that everything has a spiritual force.[4] Jemison has brought the Seneca traditions to a large audience with his art and use of materials. One of the canvases he works on the most is paper bags. He got this idea from his train commutes noticing that the one thing many people had in common was they would all be caring bags. Jemison seen this commonality and decided to use it to talk on issues and traditions of the Native community. He is also a strong advocate for Native American rights and repatriation of sacred objects. He was the chairman of the Haudenosaunee burial rules and regulations that fights for the return of the sacred objects.[5] Jemison also was a part of the restoration of Ganondaga which was a 17th-century Seneca village. This restoration included a replica Seneca longhouse, visitor center, and changing gallery.[6]
Real Indian Land Claims, 2000. Collage and paint on bag. This work depicts a Native American in custody on the front and two Klan members on the back with an anti-native sign. The work was created as a response to land claims between natives and non-natives in New York in the 1980s.[7]
Jemison has had a solo exhibition called Orenda, at K Art in New York in 2021 and a solo booth in The Armory Show in 2023.
He has also participated in group exhibitions that include Greater New York, 2021 and Just Above Midtown, 2022 at the Museum of Modern Art as well as Shared Light: G. Peter Jemison and Charles E. Burchfield, 2022 at Burchfield Penney Art Center.
Jemison artworks can be found in several major museum collections including the Burchfield Penney Art Center, Museum of Modern Art New York, National Gallery of Art, Whitney Museum of American Art, Nasher Museum of Art, Heard Museum, Institute of American Indian Arts Museum, Denver Art Museum, and internationally at the British Museum in London and at the Museum der Weltkultern in Germany.
Jemison, G. Peter. Haudenosaunee Artists: A Common Heritage : Contemporary Native American Art in Conjunction [i.e. Conjunction] with the Native American Festival, February 26-March 27, 1992. SUNY College at Brockport, Tower Fine Arts Gallery, 1992.
Jemison, G. Peter. “A Mohawk Village at the New York State Museum.” Curator (New York, N.Y.), vol. 36, no. 4, 1993, pp. 314–17.
In 2023 Jemison was awarded the Johnson Fellowship for Artists Transforming Communities[8]