Forest Theater should not be confused with Forrest Theatre.
| Forest Theater | |
| Image Alt: | Forest Theater |
| Location: | Santa Rita St, Carmel-by-the-Sea, California, United States |
| Coordinates: | 36.5535°N -121.9168°W |
| Map Type: | USA California Carmel#USA California |
| Map Alt: | Location in Carmel-by-the-Sea |
| Map Size: | 300px |
| Opened Date: | July 10, 1910 |
| Architect: | Works Progress Administration (WPA) |
| Owner: | City of Carmel-by-the-Sea |
| Website: | |
| Building Type: | Amphitheatre |
The Forest Theater is an outdoor amphitheater in Carmel-by-the-Sea, California. Founded in 1910, it is one of the oldest outdoor theaters west of the Rocky Mountains.[1] The performer and director Herbert Heron and author Mary Austin were founding forces.[2] The facility also includes a smaller indoor theatre and a school.
See main article: Herbert Heron (writer). Beginning in 1910, Heron staged plays by authors from Carmel-by-the-Sea, California, with local residents as performers, under the name Forest Theater Society. He approached James Franklin Devendorf, co-founder of the Carmel Development Company, and obtained permission to use the space rent-free. He assisted in the clearing the land and building the stage[3] of the 540-seat outdoor amphitheater.[4]
The first theatrical production, David, a six-act biblical drama written by Constance Lindsay Skinner, under the direction of Garnet Holme of Berkeley, inaugurated the Forest Theater on July 9, 1910.[5] [6] More than 1,000 theatergoers attended the production.[2] [7] [8] Heron produced and acted in the play as David, Helen MacGowan Cooke played the character Michal, Joseph W. Hand as Hushai, in a cast of Carmel area residents.[3]
Before electricity was installed at the theater in 1912,[3] limelight floodlights were brought by covered wagon from Monterey to light the stage.[9] Two bonfires were also lit in semi-circular stone firepits on opposite ends of the proscenium, a tradition which continues today.[10]
In July 1911, William Shakespeare's Twelfth Night opened the second season at Forest Theater. Garnet Holme was the producer.[3] Forest Theater Society produced several other plays in the next few years, including the 1911 production of the play The Land of Heart's Desire given by the Carmel Arts and Crafts Club,[11] and the 1912 production of The Toad, by Carmel resident Bertha Newberry, the wife of Perry Newberry. That year, the first children's play was staged at Forest Theater, Alice in Wonderland, adapted by Newberry and painter Arthur Honywood Vachell.[2]
In 1913 the theatre produced four new productions: a Robin Hood drama, Runnymede; Newberry's play for children, Aladdin; Mary Hunter Austin's Fire starring George Sterling and directed by Austin; and Takeshi Kanno's poem-play Creation-Dawn.[12] A split in the ranks of the Forest Theater Society caused Sterling and Heron to found an alternative theater society, the California (or Western) Drama Society; the factions were eventually reconciled and returned to the Forest Theater. In 1915, a season of 11 productions included Newberry's Junipero Serra premiered, a historical pageant about Father Junípero Serra with Frederick Bechdolt as Serra. Joseph Hand had his farewell appearance on August 7, 1915, in the play The Man from Home, by Harry Leon Wilson and Booth Tarkington.[13] In 1916 two of the productions were Yolanda of Cyprus and The Piper, for which the scenery was painted by Carmel artists William Frederic Ritschel and Laura W. Maxwell, who also appeared in the plays.[14]
Other notable artists acted at, or designed sets for, the theater include Frederick R. Bechdolt, Josephine M. Culbertson, Xavier Martinez, Jo Mora, Ira Mallory Remsen and Herman Rosse. Forest Theater reached its peak production between 1915 and 1924, with 50 plays and musicals staged, including a 1922 production of Shaw's Caesar and Cleopatra, directed by Edward G. Kuster.[15] Also in 1922, Carmel's Serra festival featured Garnet Holme's Carmel Mission play Serra at the theater.[16] [17] Remsen produced Inchling in 1922 and Mr. Bunt in 1924.[18] The overabundance of plays became a strain on resources, and the quality of theater in Carmel began to decline. In 1924, the competing producing organizations disbanded, and under the auspices of the Carmel Arts and Crafts Club, the Forest Theater Corporation was created to produce and manage the plays staged at Forest Theater.[19] [1]
In 1927, the Carmel Arts and Crafts Club and Forest Theater were sold to the Abalone League, and the proceeds were used to pay off the theater's debts.[20] Productions at the Forest Theater became a village affair, with residents volunteering their time to build sets, make costumes and act; the resulting success enabled the Carmel Arts and Crafts Club to buy the land from the Carmel Development Company in 1925.[21]
During the Great Depression, Forest Theater accumulated debt. In 1934, it celebrated its 100th production, The Man Who Married a Dumb Wife by Anatole France, a comedy directed by Heron.[1] [22] In September 1936, Remsen's Inchling was presented again;[23] which, together with a village fair at the theater grounds, helped reduced the theater's debt.[24]
When repairs were needed and no local donors could be found, the theater looked into applying for WPA money. Funds were only available to government entities, and the private non-profit Arts and Crafts Club was not eligible. In 1937, the Club decided to deed the theater to the City of Carmel-by-the-Sea to obtain WPA funds for major renovations, with the stipulation that the facility would be a public park and continue to offer outdoor performances.[25] Forest Theatre was closed during the three years of renovations. In 1937, the property was deeded to the City of Carmel-by-the-Sea to qualify for federal funding, and in 1939 the site became a Works Progress Administration (WPA) project. The WPA rebuilt the outdoor theatre and created an indoor facility beneath the outdoor stage.[26] The site re-opened as The Carmel Shakespeare Festival, with Heron as its director, and, with the exception of the World War II years of 1943–44, the festival continued through the late 1940s. The festival offered Shakespeare, including Macbeth, Hamlet, Julius Caesar and As You Like It, as well as the works of Carmel authors, including the first local production of Robinson Jeffers' The Tower Beyond Tragedy. With the advent of World War II, however, mandatory blackouts were ordered for coastal towns and cities. The residents of Carmel participated and halted all Forest Theater activity, essentially closing the facility in 1943–44, and again in 1946.[21]
From 1947 to 1949, the facility resumed annual productions of Shakespeare and local authors. In 1949, Heron and twenty villagers started the first Forest Theater Guild, a community organization to help the city maintain the theater.[27] [28] In 1958, the City Council also instituted an Arts Commission, charged with operation and maintenance of Forest Theater.[27] Heron continued to write, produce, direct, and star in productions. The guild began to produce plays by local authors, Shakespeare, and classic drama. In 1960, Heron finished his 50th year with the theater with his own play, Pharaoh. The guild disbanded in 1961, and Forest Theater ceased most operations in 1961. By the mid-1960s, the Forest Theater Guild had closed and abandoned the facility, and, with a few minor exceptions, no plays were shown on the main stage.[29] The city began to use the site for other purposes, such as Boy Scout camps.[30]
From 1968 to 2010, Marcia Hovick's Children's Experimental Theatre (CET) leased the facility's indoor theater. Formed in 1960 by Marcia Hovick to develop "creative confidence" through theatre training, CET had been using space at the Golden Bough Playhouse and Sunset Center, and needed a permanent place for their activities.[31] In 1969, Hovick formed a new production entity called the Staff Players Repertory Company, staging classic drama on the small Indoor Forest Theater stage. In 1971, a second Forest Theater Guild was established by Cole Weston, and the group began producing summer musicals and community plays on the outdoor stage.[32] In 2010, after 50 years, CET ceased operations, and the lease on the school was then given to Pacific Repertory Theatre for its School of Dramatic Arts.[29] [33]
The main stage remained unused, and in 1971, the Cultural Commission considered closing the theater for good.[34] Residents of Carmel voiced opposition. A second Forest Theater Guild was created, this time as a nonprofit organization, with former president Cole Weston as the new Guild President.[35] To raise needed funds and draw attention to the possible closure, the new group produced a staged reading of Robinson Jeffers' Medea and The Tower Beyond Tragedy, which featured actress Dame Judith Anderson. In 1971, the guild officially incorporated.[36] Mayor Gunnar Norberg and Weston, recognizing the theater's cultural significance and historical value, rallied the community to a preserve the theatre.[37] In 1972, to raise funds for the Theater's preservation, Norberg and Weston staged their first full production of William Shakespeare's Twelfth Night.[38]
In 1984, Pacific Repertory Theatre (PacRep), originally called GroveMont Theatre, started producing classics, children's theater and musicals on the outdoor stage, beginning with Jeffers' Medea.[39] PacRep reactivated the Carmel Shakespeare Festival in 1990.[40] PacRep continued to stage productions at the Forest Theater every September and October, expanding into August in 2000.[41] Meanwhile, over the last decades of the 20th century, the Forest Theater Guild produced over 20 plays, including Moon for the Misbegotten and Long Day's Journey into Night. In 2005, PacRep presented the theater's highest-attended production, Disney's Beauty and the Beast; more than 10,000 people bought tickets.[42]
In 1997, the guild began Films in the Forest, a series of first-run movies, classic feature films, and documentary film screenings.[43]
In 2011, following the closure of the CET, the City of Carmel awarded the year-round lease of the indoor theater at Forest Theater to PacRep for its educational program, the School of Dramatic Arts.[44] [45] On April 23, 2014, the facility was shuttered due to health and safety issues caused by years of deferred maintenance.[46] On May 5, 2014, the city council declared a "cultural community emergency" and planned to reopen the theatre as soon as possible.[47] In January 2015, anticipating delays in the renovations, the city announced that the reopening of the theatre would be postponed until 2016, and the theater companies cancelled their upcoming seasons. After a contentious design period, a two-phase project was approved by the city council. Phase 1 addressed the safety and ADA compliance requirements, while phase 2 was planned to upgrade the concessions and restroom facilities, and make other improvements.[48] In June 2016, the theater reopened and began performances again, including The Wizard of Oz and Twelfth Night.[49]
In 2017, the nearby Sunset Center signed a 30-year lease with the city of Carmel to manage the site.[50] [51] In 2019, the Forest Theater Guild, announced that Sunset Center management had drastically cut back the guild's 12-week season, offering only 12 dates at the historic theatre for film presentations, and no dates for their theatrical productions. The Guild asked the city council to intervene. In 2020, the venue was once again closed, this time due to the COVID-19 pandemic.[51] In 2021, the Sunset Center sought an early end to their 30-year lease agreement.[51] The city of Carmel solicited proposals for a new organization to manage the venue.[52] In August 2021, the theater reopened with a seven-week run of Shrek, put on by PacRep.[53]
In early 2022, the city of Carmel entered into a lease with Pacific Repertory Theatre for the nonprofit to manage the venue for the next five years, with a five-year renewal option. The Forest Theater Guild was designated an "historic user".[54] The venue continues to host events produced by the Forest Theater Guild, Pacific Repertory Theatre, the Monterey Symphony, as well as other small arts organizations, films and civic events.[55] [56]