| Flavor of the Weak | |
| Cover: | AHFflavoroftheweak.jpg |
| Type: | single |
| Artist: | American Hi-Fi |
| Album: | American Hi-Fi |
| B-Side: |
|
| Genre: | Pop punk[1] |
| Length: | 3:10 |
| Label: | Island |
| Producer: | Bob Rock |
| Next Title: | Another Perfect Day |
| Next Year: | 2001 |
"Flavor of the Weak" is a song by American rock band American Hi-Fi. The song was released as the first single from their self-titled debut album on December 22, 2000. It is the band's highest-charting single, reaching number 41 on the US Billboard Hot 100 and peaking within the top 50 in Italy, New Zealand, and the United Kingdom.
American Hi-Fi was formed by musician Stacy Jones in 2000, former drummer for cult favorites Letters to Cleo and Veruca Salt. He recruited several close friends in Boston initially to play cover songs. That same year, Jones was invited to participate in recording a Nina Gordon solo album in Maui, and brought the group along to rehearse. Bob Rock, veteran rock producer, was involved with Gordon's album and lent his services to the band as well after hearing Jones's demos.[2] [3]
The song's title is a play on the term "flavor of the week." Jones wrote the song for a female friend that he felt was being treated poorly by her boyfriend.[4] "My angle wasn't 'she should be with me.' It was, 'Man, these guys are idiots,'" he said. He wrote and sang the song from her perspective,[5] and Rock felt the song had immediate potential. He suggested he sing from his perspective instead, and also contributed the idea for its opening guitar riff. Its genesis was swift: the quartet recorded and completed the song in one evening. Jones took influence for the tune from power pop groups like Teenage Fanclub and Fountains of Wayne, but also older artists like Cheap Trick.[6] In 2016, the band re-recorded the song, along with its debut album, in acoustic form.[7]
The song initially saw success on alternative and modern rock radio,[8] with programmers grouping the new band in with acts like Sum 41 or Good Charlotte. The band's fanbase and perception shifted drastically upon the song's crossover to the top 40 format; alternative stations began to disregard the band as a pop act.[9] "Flavor of the Weak" was among the first of many crossover pop-punk hit singles in the early aughts. The song's huge success was unusual for the band, who had just formed: "We had never even played a real show, and all of a sudden we had a song on the radio," said Jones. Jones also observed the swift backlash from the alternative scene was strange: "The [pop] radio stations would speed the song up and do their own edits. It was really weird. I think it exposed us to a wider audience that we didn't have but it also took away our connection to the rock world."[9] Due to the song's brief popularity, it is considered to have solidified American Hi-Fi's standing as a one-hit wonder.[10] [11]
"Flavor of the Weak" was well-received by music critics. Robbie Daw at Billboard called the tune "a perfect mix of gritty guitars and infectious hooks."[12] Anna Gaca at Spin ranked the song among the best pop-punk choruses of the 21st century.[13] Mike Rampton at Kerrang! dubbed it "one of the all-time top entries [of its kind]."[14]
The music video for the song, directed by Chris Applebaum, is a parody of the heavy metal documentary Heavy Metal Parking Lot.[14] It takes place in 1986 and begins with a teenage boy, played by drummer Jason Sutter, and his friends cussing about how the heavy metal genre and its artists should be praised while punk rock belongs on Mars. The band American Hi-Fi is jokingly referenced among other metal musicians. The video then begins, flash-forwarding between a story about a girl who acts subservient to her boyfriend, not knowing about his cheating escapades, and the band performing. The video was a staple on MTV and MuchMusic USA.[4]
Australian CD single[15]
European CD single[16]
UK CD single[17]
Japanese CD single[18]
| Chart (2001) | Position | |
|---|---|---|
| US Adult Top 40 (Billboard)[19] | 100 | |
| US Mainstream Top 40 (Billboard)[20] | 50 | |
| US Modern Rock Tracks (Billboard)[21] | 23 |
| Region | Date | Format(s) | Label(s) | ||
|---|---|---|---|---|---|
| United States | December 22, 2000 | Island | [22] | ||
| February 7, 2001 | Top 40 radio | ||||
| Australia | May 14, 2001 | CD | [23] | ||
| Japan | July 18, 2001 | [24] | |||
| United Kingdom | August 27, 2001 | Mercury | [25] |