Honorific Suffix: | RA |
Birth Date: | 1962 3, df=y |
Father: | Sir John James Stibbon |
Known For: | Drawing and Printmaking |
Birth Place: | Münster |
Emma Stibbon (born 1 March 1962) is a Bristol-based British artist and Royal Academician.
Emma Stibbon was born on 1 March 1962 in Münster, Germany. Her father was General Sir John James Stibbon, KCB, OBE (5 January 1935 – 9 February 2014) one of the highest-ranking officers in the British Army, who served as Assistant Chief of the Defence Staff and then as Master-General of the Ordnance from 1987–91. Her mother is Lady Jean Stibbon (née Skeggs).[1]
Stibbon studied at the Portsmouth College of Art (Foundation 1980–81), Goldsmiths College and the University of the West of England.[2]
Stibbon is known for her large, monochrome drawings and prints which explore the effects of human intervention and natural phenomenon on monumental structures.[3]
Her work has been exhibited globally and she currently Senior Lecturer in Fine Art Printmaking at the University of Brighton.[4]
Stibbon was chosen as the Antarctic Artist in Residence of the Scott Polar Research Institute for 2012–13.[5]
She is an Academician of the Royal West of England Academy[6] and was elected as a Royal Academician in 2013.
Stibbon has a studio at Spike Island in Bristol.[7]
Ruskin, Turner & the Storm Cloud. Stibbon was commissioned to create the works for a touring exhibition to mark Ruskin's 200th birthday in 2019. Her contribution to the exhibition commented on damage to the French Alps by global warming, by creating a contemporary response to the works of John Ruskin and J. M. W. Turner. The exhibition visited York Art Gallery and Abbott Hall Art Gallery, Kendal, Cumbria.[8] [9] [10] [11]
Territories of Print 1994-2019 was a solo retrospective exhibition of Stibbon's work titled held at the Rabley Drawing Centre Gallery near Marlborough in Wiltshire and accompanied by a book with the same title.[12]
Fire and Ice, 2019, Royal Academy of Arts, hardcover, 108 pages, ISBN 978-1-912520-25-1
Territories of Print 1994-2019, Edited by Meryl Ainslie with an Essay by Gill Saunders, 2019, Rabley Drawing Centre, hardcover, 104 pages, ISBN 978-0-9926817-8-4