| Electric Landlady | |
| Type: | Studio album |
| Artist: | Kirsty MacColl |
| Cover: | Kirstyelectric.jpg |
| Released: | 24 June 1991 |
| Recorded: | 1991 |
| Length: | 51:49 |
| Label: | Virgin |
| Producer: | Steve Lillywhite |
| Prev Title: | Kite |
| Prev Year: | 1989 |
| Next Title: | The Essential Collection |
| Next Year: | 1993 |
Electric Landlady is Kirsty MacColl's third studio album. Released in 1991, it was her second Virgin Records release and second collaboration with producer/husband Steve Lillywhite. The title is a pun on Jimi Hendrix's album Electric Ladyland.[1]
Electric Landlady was MacColl's most successful U.S. release, owing to the lead track "Walking Down Madison", which peaked at No. 4 on the Billboard Modern Rock Tracks chart. The longest song of the album, it features guest vocals by rapper Aniff Cousins, and was originally written for Alison Moyet.[2]
In a 1991 interview with Melody Maker, MacColl spoke of her intention for the album's direction in comparison to her 1989 album Kite, "I was listening to Kite for the first time in a while and I thought, 'Well that's really good, but I could make the next album even more enjoyable for myself if I could actually dance to it without being paralytic! But I didn't want to make an album with computers. A lot of people think that dance means you have to have the beats per minute on the sleeve, but, to me, a waltz is a dance." Speaking of the larger number of co-writes on Electric Landlady, she added, "With Kite, I felt I had to prove that I wasn't this bimbo girl-next-door I'd been portrayed as. I wanted to make the point that, yes, I can write a song, pal! I didn't feel that I had to prove myself this time."[3]
Upon its release, Andrew Mueller of Melody Maker considered the album to be disappointing in comparison to the "frequently brilliant" Kite. He felt that melodically there "aren't any tunes to speak of" and noted the lack of MacColl's "customary razor wit" in the lyrics. He summarised, "Kite was such a great album because it was happy to be an album of great pop songs. Electric Landlady is such a resounding duffer because it's so pointlessly eclectic that you can't get a grip on it anywhere. It's like Kirsty's decided that she wants to impersonate every band she's ever lent that gorgeous voice to at least once."[4] Steve Lamacq of NME considered it "an adult but very confused record". He believed MacColl was "probably writing as well as ever", but felt the album featured too many guest musicians and producers who "all know too much about recording", resulting in "too much [of an] emphasis on arrangements and production, which detracts from the actual mainspring, Kirsty's voice/lyrics/simplicity". He concluded, "Electric Landlady, as a whole, has a lot of things you like - outspokenness and invention - but buries them under the weight of professionalism."
The first disc contains the twelve tracks from the original album.
Credits adapted from the album's liner notes.[5]
| Australian Albums (ARIA)[7] | 86 | |
|---|---|---|
| UK Albums (OCC)[8] | 17 |