Eddie Chambers (artist) explained

Eddie Chambers (born 1960)^[1] is a British contemporary art historian, curator and artist. He currently holds the David Bruton, Jr. Centennial Professorship in Art History at the University of Texas at Austin.^{[2] [3]}

Artistic career

Chambers was born in Wolverhampton, England, to parents who were immigrants from Jamaica.^{[4] [5] [6]} While attending Sunderland Polytechnic where he was pursuing a Fine Art degree, Chambers met Trent Polytechnic student Keith Piper. Alongside Marlene Smith^[7] and Donald Rodney, they formed the BLK Art Group, a groundbreaking association of Black British art students.^[8] The group's highly politicized work, including Chambers' Destruction of the National Front (now in the Tate Gallery collection), was part of a controversial 1989 touring exhibition entitled "The Other Story: Asian, African and Caribbean artists in Post-War Britain".^[3] The exhibition challenged imperialist attitudes toward race and nationalism, and attracted wide press attention and critical interest.^{[9] [10]}

More recently, Chambers' work was featured in the exhibition at the Guildhall Art Gallery (10 July 2015 – 24 January 2016).^[11] When the exhibition began, he and Errol Lloyd held a Q&A session at Guildhall to discuss "the impact made by notable Black Artists in the late 20th Century, who have gone largely unnoticed in the British Art Arena."^[12]

Curating

In addition to his own artistic work, Chambers has continued to champion the work of other artists, curating exhibitions throughout the UK and internationally, including Black People and the British Flag, Eugene Palmer, Frank Bowling: Bowling on through the Century and Tam Joseph: This is History. In 1998 he was awarded a Ph.D in History of Art from Goldsmiths College, University of London, for his thesis "Black Visual Arts Activity in England Between 1981–1986: Press and Public Responses". Concerned about the need to document the practice of black artists, Chambers set up the African and Asian Visual Artists' Archive (AAVAA) in 1989. It was the first research and reference facility in the country for documenting British-based Black visual artists.^[13] Drawing on material in his own collection relating to the visual arts practices of artists from African, South Asian and other diasporas, he also initiated the online research and reference facility, Diaspora Artists.^[14]

Writing

In the 21st century, Chambers moved into the world of academia and art scholarship, contributing catalogue essays, anthology entries, articles and books with a focus on the work and history of Black British and African artists. After relocating to the United States, he joined the Department of Art and Art History at the University of Texas, Austin in 2010, where he taught the history of African Diaspora art. He also wrote his first substantial work of contemporary art history, Things Done Change: The Cultural Politics of Recent Black Artists in Britain (2012). It garnered enthusiastic responses in leading journals, including Art Review,^[15] which described his writing as "excellent" and "nuanced". In 2014, he published an expanded consideration of his themes in Black Artists in British Art: A History from 1950 to the Present.^[16]

Selected bibliography

Books

• Book: Run Through the Jungle. 1999. Iniva. 978-1899846207.
• Book: Things Done Change: The Cultural Politics of Recent Black Artists in Britain. 2012. Editions Rodopi B.V.. 978-9042034433.
• Book: Black Artists in British Art: A History from 1950 to the Present. 2014. I.B.Tauris. 978-1780762715.
• Roots & Culture: Cultural Politics in the making of Black Britain. Bloomsbury, 2017. ^[17]
• The Routledge Companion to African American Art History. Routledge. 2019. ^[18]

Book contributions

• Entries on Frank Bowling, Lubaina Himid and Tam Joseph in Guide to Black Artists, 1997, St James Press, in association with the Schomburg Center for Research in Black Culture.
• Book: Donald Rodney: Doublethink . Hylton . Richard . Autograph . London . 2003 . 978-1899282906. Includes an essay by Chambers, "The Art of Donald Rodney".
• Entry on Art and Artists, British-Caribbean, in Britain and the Americas: Culture, Politics, and History, California: ABC-CLIO, 2005. ;
• "Black Visual Arts Activity in the 1980s", in The History of British Art: 1870 – Now, Tate Publishing, 2008. ;

Articles

• Reading the Riot Act. Visual Culture in Britain . 14 . 2 . 238–256 . 10.1080/14714787.2013.782156. July 2013 . Chambers. Eddie. 144482293 . Subject: Artists' work about riots.
• "Brits in the Bronx". Art Monthly, 214, March 1998.

Notes and References

1. Web site: Contributor - Eddie Chambers . Axis . https://web.archive.org/web/20101225202008/http://www.axisweb.org/dlAUTH.aspx?AUTHORID=18 . 25 December 2010.
2. https://art.utexas.edu/people/eddie-chambers "Dr. Eddie Chambers"
3. Web site: Eddie Chambers: Biography . eddiechambers.com . 17 September 2024.
4. Web site: Eddie Chambers . Àsìkò Art School, Centre for Contemporary Art, Lagos . 20 June 2016 . https://web.archive.org/web/20170202015215/http://www.asikoartschool.org/eddie-chambers-3/ . 2 February 2017.
5. Web site: Eddie Chambers: Interview with Petrine Archer-Straw 1999 . https://web.archive.org/web/20151005022242/http://www.iniva.org/shop/voices_on_art_amp_culture/run_through_the_jungle/eddie_chambers_interview_with_petrine_archer_stra . 5 October 2015.
6. Book: Chambers, Eddie. Tawadros. Gilane. Clarke. Victoria. Annotations 5: Run through the Jungle: Selected Writings by Eddie Chambers. London. Institute of International Visual Arts (Iniva). 1999. 21–31. 978-1899846207.
7. Web site: Donald Rodney Display, interviews: Marlene Smith . https://web.archive.org/web/20160910151624/http://www.tate.org.uk/whats-on/tate-britain/exhibition/donald-rodney-display/interviews/donald-rodney-display-interviews-5 . 10 September 2016 . Tate Britain.
8. Nairne, Sandy (Spring 2006), "Black Arts in the Maelstrom", in History Workshop Journal, 61 (1): 25–30. Oxford University Press.
9. Jean Fisher, "The Other Story and the Past Imperfect", article citing Destruction of the National Front. Tate Papers, Issue 12, Autumn 2009.
10. Web site: Sinclair . Leah . The BLK Art Group: how the West Midlands collective inspired the art world . 12 August 2020 . Art UK.
11. https://www.cityoflondon.gov.uk/things-to-do/visit-the-city/attractions/guildhall-galleries/Pages/Exhibitions.aspx "Exhibition: No Colour Bar"
12. Web site: Framing Black Visual Art - Meet Eddie Chambers and Errol Lloyd . https://web.archive.org/web/20150923174314/http://www.artlyst.com/events/framing-black-visual-art-meet-eddie-chambers-and-errol-lloyd-guildhall-art-gallery . 23 September 2015 . artlyst . July 2015.
13. Web site: The African and Asian Visual Artists Archive . https://web.archive.org/web/20160405013454/http://www.vads.ac.uk/collections/AAVAA.html . 5 April 2016.
14. Web site: Welcome to Diaspora-Artists.net . https://web.archive.org/web/20210303021858/http://new.diaspora-artists.net/index.php . 3 March 2021 . Diaspora Artists.
15. Niru Ratnam's review of Things Done Change... in Art Review, September 2012.
16. Book: Chambers, Eddie . Black Artists in British Art: A History from 1950 to the Present . I.B. Tauris . 2014 . 978-1780762722.
17. Book: Chambers, Eddie.. Roots and culture : cultural politics in the making of black Britain. 978-1784536176. I. B. Tauris. 2017. London; New York. 936003083.
18. Book: The Routledge Companion to African American Art History. Chambers. Eddie. 978-1138486553. New York, NY. Routledge. 1110144523. 2019.