Domenico Cavalca Explained

Domenico Cavalca
Death Date:October 1342
Death Place:Pisa, Republic of Pisa
Notable Works:Italian translation of the Vitae Patrum
Occupation:Dominican friar, writer, scholar
Nationality:Italian
Resting Place:Santa Caterina, Pisa

Domenico Cavalca (Vicopisano,  - Pisa, October 1342) was an Italian Dominican friar, preacher and writer. He wrote a wealth of moral and ascetic vernacular treatises. In the nineteenth century he was hailed by the Italian purists as a master of prose-style.

Biography

Little is known about the life of Cavalca. The Chronicles and Annals of the monastery of Saint Catherine in Pisa provide most of our information on his life.[1] He was born around 1270 in Vicopisano perhaps of the noble Gaetani family.[2] After his earliest childhood education he entered the Dominican house of Saint Catherine of Alexandria in Pisa, where he carried out most of his religious and literary work. The convent, founded in 1221, was one of most important Dominican studia of the Roman province and was endowed with an excellent library. He benefited from a sound theological education although he never became a lector.

In 1300, cooperating with the vicar of the diocese, Bonagiunta of Pisa, he helped to improve discipline in the monastery of St. Agnes. From 1330 onward he served as confessor at the monastery of Mercy. Cavalca was extremely active as a preacher and ecclesiastic reformer. He lived a life of irreproachable morals, characterized by attention to the poor and the sick. He dedicated much time and care to nunneries in the province of Pisa and his activity led to the foundation in 1342, just before his death, of the Dominican nunnery of St. Martha (today no longer existing) in Pisa.

Cavalca was known as "Dominicus hospedalarius" due to his outstanding concern for the sick. The chronicle tells us that his reputation for saintliness was well founded in his exemplary practice of the Rule, and that, at his death in November, 1342, his funeral procession drew a crowd of the poor and afflicted. He was probably buried at Saint Catherine's, but no tomb, early inscription, or portrait has survived.

Works

The works of Cavalca, of religious or ascetic subject, are in part original, in part derived from Latin texts. As a preaching brother, he had frequent contact with the laity and was aware that the Latin original was inaccessible to them. He tells us in the introduction to the Vite that it was his intention to make the vast hagiographic corpus of the Desert Fathers' stories available to the "uomini semplici e non licterati" (simple, uneducated men). His translation of the Vitae Patrum, soon transposed from the Pisan dialect into Florentine, was the collection of saints' lives most copied in its entirety in Late Medieval and Early Renaissance Italy, and it is preserved in nearly 200 manuscripts.[3] It was through reading the life of Mary of Egypt in Cavalca's text that Giovanni Colombini was convinced to become an anchorite. The popularity of the text continued into the latter half of the 15th century with the invention of the printing press: twenty editions of the Vite were published between 1474 and 1499.[4] Cavalca's other translations include the Dialogues of Saint Gregory (c. 1329), Letter 22 of Saint Jerome (addressed to Eustochium), and the Book of Acts. His treatises are strongly influenced by Summae virtutum ac vitiorum, a treatise written in the thirteenth century by the French Dominican William Perault. The first of these works was probably The Mirror of the Cross (Lo Specchio di Croce) which was written before 1233 and which was the most original and influential. Cavalca's Specchio was an important source for St. Catherine of Siena's spiritual writings and was one of the inspirations for the widespread Trabalhos de Jesus by Thomas of Jesus. Cavalca also wrote poetry that he conceived as a complement to his treatises.

Cavalca became a very famous writer and his works were printed several times in the following centuries. He was essentially a popularizer, but his versions of some of the Church Fathers were later highly valued by linguistic purists. His writing style, characterized by simplicity of syntax and clarity, established him as an artistic model for subsequent centuries. Gino Capponi considered him one of the greatest prose writers of the Italian Middle Ages.[5] Cavalca was proclaimed “the father of Italian prose” by the literary critic and scholar Pietro Giordani, and his contribution to the formation of Italian as a literary language was extremely important.[6]

List of works

Bibliography

External links

Notes and References

  1. The Chronicles and Annals are published in Archivio Storico Italiano, t. 6, part. 2, sec. 3, Firenze, 1845. On life and works of Cavalca also see Innocenzo Colosio, O. P., Dictionnarie de Spiritualité, t. 2., colt 373-4; M. H. Laurent, Dictionnaire d'histoire et de geógraphie eccléstiastique, t. 12, pp. 26-27; Telio Taddei, Enciclopedia Cattolica, t. 3, colt 1193-4.
  2. Book: Ashley, Benedict M.. The Dominicans. Eugene, Oregon. Wipf and Stock Publishers. 2009. 9781725226593. 78.
  3. Book: Holmes, Olivia. Boccaccio and Exemplary Literature. Ethics and Mischief in the Decameron. 2023. 9781009224338. Cambridge. Cambridge University Press. 95.
  4. [Ludwig Hain]
  5. Book: Capponi, Gino . Gino Capponi . Storia della Repubblica di Firenze . Barbera . 1875 . Florence . 155.
  6. Book: Opere di Pietro Giordani. XIV. 418. Milan. 1862. Borroni e Scotti.
  7. See Delcorno, Carlo. La tradizione delle “Vite dei santi padri,” Istituto Veneto di Scienze, Lettere ed Arti, Memorie, volume 92, Venice, 2000, pp. 7-489.

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