Cynthia Nielsen Explained

Cynthia R. Nielsen is an American philosopher and Professor of Philosophy at the University of Dallas.^[1] She is known for her expertise in the field of hermeneutics (focusing especially on Hans-Georg Gadamer), the philosophy of music, aesthetics, ethics, and social philosophy.^{[2] [3] [4]} Since 2015 she has taught at the University of Dallas. Prior to her appointment at the University of Dallas, she taught at Villanova University as a Catherine of Sienna Fellow in the Ethics Program . Nielsen serves on the executive committee of the North American Society for Philosophical Hermeneutics.^[5]

Nielsen's work engages a wide range of theorists, philosophers, and topics.^[6] A common thread in her work is a "hermeneutics of the other," an attempt to enter into dialogue with various "others" (racialized and gendered subjects, artworks, jazz improvisations, literary texts, etc.) in order to listen attentively to the other's "voice" and incite a transformative understanding of self, world, and other. Through her integration of Gadamerian hermeneutics, social and critical philosophy, and the philosophy of music, she has developed the notion of hermeneutics as a communal improvisational practice.^{[7] [8]}

Education

Nielsen earned a Bachelor of Music in Jazz Studies at the University of North Florida,^[9] where she studied jazz guitar with renowned jazz guitarist Jack Petersen. She earned her Ph.D. in philosophy at the University of Dallas, where she studied with Professor Philipp W. Rosemann.^[10]

Overview of work

Nielsen's early research (from 2009–2013) focuses primarily on how subjects, on the one hand, are socially constructed, and on the other, actively resist sociopolitical, economic, cultural, and other forces in order to shape their subjectivities. For example, her work on Frederick Douglass and Frantz Fanon analyzes how racialized and colonized subjectivities are constructed and highlights how agents employ various strategies in order to resist, reconfigure, and subvert dehumanizing structures, discourses, and practices.^[11] Her work on Foucault and Douglass shows how Douglass was cognizant of the disciplinary power at work in Covey's panoptic gaze.^{[12] [13]}

In light of her background and experience as a jazz musician, Nielsen frequently brings music, and jazz in particular, into conversation with philosophy, discussing not only the philosophical and theoretical aspects of music, but also the ethical and sociopolitical dimensions. Her book, Gadamer's Hermeneutical Aesthetics: Art as a Performative, Dynamic, Communal Event (Routledge, 2023), brings Gadamer's hermeneutics into conversation with the practices of Free Jazz, Banksy's street art, and African American artist Romare Bearden.^[14]

Because Nielsen's work is interdisciplinary and explores a wide range of cultural, ethical, sociopolitical, and hermeneutical issues, her work has been appropriated by scholars in multiple disciplines including not only philosophy but also sociology, psychology, theology, postcolonial studies, ethnomusicology, critical race theory, literary theory, and political theory.^{[15] [16]} For example, in her review of Nielsen's book, Foucault, Douglass, Fanon, and Scotus in Dialogue, Dr. Renee Harrison, describes Nielsen's work as "a significant interdisciplinary contribution to the fields of philosophy, religion, history, and African American studies."

Her current research (since 2014) concentrates on Hans-Georg Gadamer's hermeneutical philosophy with a special interest in his hermeneutical aesthetics and reflections on the ontology of art as a communicative and communal event.

Selected publications

Books

• Gadamer's Hermeneutical Aesthetics: Art as a Performative, Dynamic, Communal Event, New York: Routledge, 2023.
• Gadamer's Truth and Method: A Polyphonic Commentary, co-edited with Greg Lynch, New York: Rowman & Littlefield, 2022.
• Interstitial Soundings. Philosophical Reflections on Improvisation, Practice, and Self-Making, Eugene, OR: Cascade Books, 2015.
• Foucault, Douglass, Fanon, and Scotus in Dialogue: On Social Construction and Freedom, New York: Palgrave Macmillan, 2013.

Book chapters

• “Gadamer on Play and the Play of Art,” in The Gadamerian Mind, edited by Theodore George and Gert-Jan van der Heiden, 139–154. New York: Routledge, 2022.
• “Fricker, Gadamer, and Honneth: Testimonial Injustice, Prejudice, and Social Esteem” (co-authored with David Utsler) in Epistemic Injustice and the Philosophy of Recognition, edited by Paul Giladi and Nicola McMillan. New York: Routledge, 2022.
• “Gadamer and the Plastic Arts,” in Gadamer’s Truth and Method: A Polyphonic Commentary, edited by Cynthia R. Nielsen and Greg Lynch. New York/London: Rowman and Littlefield International, 2022.
• "Rehumanizing the Inmate: Wacquant on Race-making, Sequestered Spaces, and the Quest for a 'We' Narrative." In Philosophy Imprisoned. The Love of Wisdom in the Age of Mass Incarceration, edited by Sarah Tyson and Joshua M. Hall. Lexington/Rowman & Littlefield, 2014, pp. 255–271.
• "Strategic Afro-Modernism, Dynamic Hybridity, and Bebop's Socio-Political Significance." In Music and Law. Sociology of Crime, Law, and Deviance, vol. 18, edited by Mathieu Deflem. Bingley UK: Emerald Group Publishing, 2013, pp. 129–148. .

Articles

• " https://www.pdcnet.org/epoche/content/epoche_2024_0028_0002_0453_0466 The Diversity of Languages and Understanding the World” by Hans-Georg Gadamer, translated by Cynthia R. Nielsen. Epoché 28.2 (2024): 453–466. DOI: 10.5840/epoche20242821.
• " https://plato.stanford.edu/archives/fall2023/entries/gadamer-aesthetics/ Gadamer's Aesthetics, co-authored with Nicholas Davey. The Stanford Encyclopedia of Philosophy (Fall 2023 Edition), Edward N. Zalta & Uri Nodelman (eds.)
• " https://www.pdcnet.org/philtoday/content/philtoday_2020_0064_0002_0477_0484 Tasks of Philosophy in the Present Age: RIAS-Lecture, June 9, 1952, co-translated with Ian Alexander Moore. Philosophy Today 64(2) (Spring 2020). DOI: 10.5840/philtoday202055339.
• "On Poietic Remembering and Forgetting: Hermeneutic Recollection and Diotima's Historico-Hermeneutic Leanings." 22 (2018): 107–134.
• "Gadamer and Scholz on Solidarity: Disclosing, Avowing, and Performing Solidaristic Ties with Human and Natural Others." Journal of the British Society for Phenomenology 48 (2017): 240–256.
• "Harsh Poetry and Art's Address: Romare Bearden and Hans-Georg Gadamer in Conversation." The Polish Journal of Aesthetics 43 (April 2016): 103–123. DOI:10.19205/43.15.5.
• "Gadamer on the Event of Art, the Other, and a Gesture Toward a Gadamerian Approach to Free Jazz." J Journal of Applied Hermeneutics, March 2016.
• "Resistance Through Re-Narration: Fanon on De-constructing Racialized Subjectivities." African Identities: Journal of Economics, Culture, and Society 9 (Dec. 2011): 363–385. DOI: 10.1080/14725843.2011.614410.
• "Resistance is Not Futile: Frederick Douglass on Panoptic Plantations and the Un-Making of Docile Bodies and Enslaved Souls." Philosophy and Literature 35 (2011): 251–268. DOI: 10.1353/phl.2011.0018.
• "What Has Coltrane to Do With Mozart? The Dynamism and Built-in Flexibility of Music." Expositions 3 (2009): 57–71.

Encyclopedia entries

• "Racism." In New Catholic Encyclopedia Supplement 2012-13: Ethics and Philosophy, Vol. 4, pp. 1247–1299. Eds. Robert Fastiggi and Joseph Koterski, S. J. Detroit: Gale, 2013.
• "Music." In New Catholic Encyclopedia Supplement 2012-13: Ethics and Philosophy, Vol. 3, pp. 1031–1036. Eds. Robert Fastiggi and Joseph Koterski, S. J. Detroit: Gale, 2013.

External links

• Cynthia Nielsen at North American Society for Philosophical Hermeneutics
• Cynthia Nielsen at Hermeneutical Movements
• Cynthia Nielsen at University of Dallas
• Cynthia Nielsen, Google Scholar Citations
• Cynthia Nielsen at Academia.edu
• Cynthia Nielsen at PhilPeople
• Cynthia Nielsen at The International Institute for Hermeneutics
• Cynthia Nielsen, editorial board Journal of Applied Hermeneutics
• Syndicate Book Symposium on Nielsen's Foucault, Fanon, Douglass, and Scotus in Dialogue
• Frederick Douglass Institute "Inspired Publications"
• Frederick Douglass Comparative Biographies, Lib. Guides.

Notes and References

1. Web site: Nielsen's CV. Academia.edu. December 18, 2018.
2. Book: Fuyarchuk, Andrew. The Inner Voice in Gadamer's Hermeneutics: Mediating Between Modes of Cognition in the Humanities and Sciences. Lexington. 2017. 9781498547055. Lanham, MD. 146–147.
3. Book: Rabaka, Reiland. Concepts of Cabralism: Amilcar Cabral and Africana Critical Theory (Critical Africana Studies). Lexington. 2014. 9780739199268. Lanham, MD. 302, 346.
4. Book: Rabaka, Reiland. The Negritude Movement: W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea (Critical Africana Studies). Lexington. 2016. 9781498511377. Lanham, MD. 248, 278–80.
5. Web site: NASPH Website. January 19, 2019.
6. Cutts. Joshua. 2015. Review. Foucault Studies. 19. 229–233. 10.22439/fs.v0i19.4832. free.
7. Nielsen. Cynthia R.. 2016. Gadamer on the Event of Art, the Other, and a Gesture Toward a Gadamerian Approach to Free Jazz. Journal of Applied Hermeneutics. 2018-12-20. https://web.archive.org/web/20180508124550/http://jah.journalhosting.ucalgary.ca/jah/index.php/jah/article/view/113/pdf. 2018-05-08. dead.
8. Nielsen. Cynthia. 2016. Harsh Poetry and Art's Address: Romare Bearden and Hans-Georg Gadamer in Conversation. Polish Journal of Aesthetics. 43. 103–123.
9. Web site: List of University of North Florida Alumni.
10. 2012. Braniff Pages. Ramify: The Journal of the Braniff Graduate School of Liberal Arts. 3. 1. 2158-5784.
11. Meudec. Marie. 2015. Processus d'altérisation de l'obeah à Sainte-Lucie. Anthropologica. 57. 225–237; cited 232. Research Gate.
12. Haase. Felix. 2015. Within the Circle: Space and Surveillance in Frederick Douglass's Narrative of the Life of Frederick Douglass, an American Slave. AsPeers. 8. 71–88; cited 76–77. 10.54465/aspeers.08-06 . 253147456 . EBSCO.
13. Taylor. Jack. 2018. Slavery and Biopolitics: Douglass's My Bondage and My Freedom as Biopolitical Theory. Interdisciplinary Literary Studies. 20. 1. 79–102; cited pp. 86, 91. 10.5325/intelitestud.20.1.0079. 10.5325/intelitestud.20.1.0079. 148812462.
14. Lin. Chun. 2023. Review of Gadamer's Hermeneutical Aesthetics. Universa. Recensioni di filosofia.
15. Fludernik. Monkia. 2017. Panopticisms: from fantasy to metaphor to reality. Textual Practice. 31. 1–26. 10.1080/0950236X.2016.1256675. 151779179. EBSCO.
16. Politz. Sarah. 2018. We Don't Want to Be Jazz-Jazz": Afro-Modernism, Jazz, and Brass Band Music in Benin. Jazz & Culture. 1. 12–48. 10.5406/jazzculture.1.2018.0012 . 10.5406/jazzculture.1.2018.0012. 246626704 . free.