Byron Robinson (film editor) explained

Byron Robinson (1900–1957) was an American film editor.^[1] He worked for a variety of studios including Tiffany Pictures, Universal Pictures, Mayfair Pictures and Columbia Pictures.

Filmography

• The Devil's Partner (1926)
• Alias the Deacon (1927)
• Uncle Tom's Cabin (1927)
• Lingerie (1928)
• Domestic Meddlers (1928)
• The Power of Silence (1928)
• Midnight Rose (1928)
• The Albany Night Boat (1928)
• Broadway Fever (1929)
• The Shannons of Broadway (1929)
• The Medicine Man (1930)
• Borrowed Wives (1930)
• Paradise Island (1930)
• Chinatown After Dark (1931)
• Anybody's Blonde (1931)
• Dragnet Patrol (1931)
• Night Beat (1931)
• Soul of the Slums (1931)
• Graft (1931)
• Dynamite Denny (1932)
• The Monster Walks (1932)
• The Midnight Warning (1932)
• Gorilla Ship (1932)
• Tangled Destinies (1932)
• Sally of the Subway (1932)
• Temptation's Workshop (1932)
• Docks of San Francisco (1932)
• Passport to Paradise (1932)
• Love in High Gear (1932)
• The Widow in Scarlet (1932)
• Sin's Pay Day (1932)
• Behind Stone Walls (1932)
• No Living Witness (1932)
• Sister to Judas (1932)
• Alias Mary Smith (1932)
• Malay Nights (1932)
• Her Mad Night (1932)
• Midnight Morals (1932)
• Easy Millions (1933)
• The Big Bluff (1933)
• Justice Takes a Holiday (1933)
• Dance Hall Hostess (1933)
• Three Kids and a Queen (1935)
• Come Closer, Folks (1936)
• Crash Donovan (1936)
• The Man Who Lived Twice (1936)
• Paid to Dance (1937)
• Motor Madness (1937)
• Girls Can Play (1937)
• Woman in Distress (1937)
• The Shadow (1937)
• Who Killed Gail Preston? (1938)
• Juvenile Court (1938)
• Romance of the Redwoods (1939)
• A Woman Is the Judge (1939)

Bibliography

• Pitts, Michael R. Poverty Row Studios, 1929–1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland & Company, 2005.

Notes and References

1. Pitts p.238