| Bride's Toilet | |
| Artist: | Amrita Sher-Gil |
| Year: | 1937 |
| Medium: | Oil on canvas |
| Width Metric: | 88.8 |
| Length Metric: | 146 |
| Metric Unit: | cm |
| Imperial Unit: | in |
| Museum: | National Gallery of Modern Art, New Delhi |
Bride's Toilet is an oil on canvas painting, painted by Hungarian-Indian artist Amrita Sher-Gil (1913–1941) in 1937.[1] [2]
A work of modernism,[3] the painting draws influence from the frescoes of Ajanta and the miniatures of Mughal art, thereby resulting in a masterful amalgam of Indian and European styles.[4] Part of Sher-Gil's well known South Indian trilogy, comprising also Brahmacharis and South Indian Villagers Going to Market,[5] Bride's Toilet explores the simplicity and uniqueness of rural life, a recurring subject in her later paintings.[6] When Sher-Gil returned to India in 1934, her approach towards art changed significantly. A number of later artworks revolved around the poor and the underprivileged, the commonfolk and their struggles.[7] [8]
Bride's Toilet depicts a bride's chamber,[9] wherein a young light-skinned woman, presumably the titular bride, is seated. She is half-naked; her palms are covered in mehndi. She is surrounded by two other women and two children. One of the women is dressing her hair,[10] and the other is holding a container. Their faces are expressionless. The painting employs a rich, colourful palette. Tones have been skilfully used.[11] [12] The painting demonstrates Sher-Gil's curious interest in women, their lives and adversities.[13]
The painting was one of 33 of Sher-Gil's works displayed at her solo exhibition at Faletti's Hotel in Lahore, British India, held from 21 to 27 November 1937.[14]