| Anne Dunlop | |
| Thesis Url: | http://wrap.warwick.ac.uk/2889/ |
| Thesis Title: | Advocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445 |
| Thesis Year: | 1997 |
| Workplaces: | University of Melbourne |
| Education: | Queen's University at Kingston University of British Columbia |
| Alma Mater: | University of Warwick |
Anne Elizabeth Dunlop is a Canadian-born art historian. As of 2022 she is Herald Chair of Fine Art at the University of Melbourne.
Dunlop graduated with a BA from Queen's University at Kingston in Canada. She next completed an MA at the University of British Columbia.[1] She moved to the University of Warwick in Coventry, England where she gained her PhD with a thesis titled "Advocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445".[2]
In 2009–2010 Dunlop held a Hanna Kiel Fellowship at Villa I Tatti in Florence.[3] While at Tulane University in 2012–2013, she was a Samuel H. Kress senior fellow, focusing her research on "Castagno's Crime: Andrea del Castagno and Quattrocento Painting",[4] in preparation for publication of Andrea del Castagno and the Limits of Painting in 2015. From August to December 2016 she was Robert Lehman visiting professor at Villa I Tatti, where she conducted a survey of "The Golden Renaissance".[5]
Dunlop was elected a Fellow of the Australian Academy of the Humanities in 2019.[6] In the same year she was appointed to the advisory board of Melbourne University Publishing in the field of art history.[7]
In 2015 Dunlop was named Herald Chair of Fine Arts by the University of Melbourne.[8] She serves as an Australian national delegate to the International Congress of the History of Art.[9]