Alasdair Kent Explained

Image Upright:1.0
Birth Place:Perth, Western Australia
Occupation:Operatic tenor
Years Active:2013–present

Alasdair Kent is an Australian operatic tenor, principally known for his interpretations of the Italian bel canto of Rossini, and Mozart.[1] [2] In 2016, Richard Bonynge presented him with the Joan Sutherland & Richard Bonynge Foundation Bel Canto Award.[3] After studies in the US and his European debut with the Rossini Opera Festival in 2017, his international career has seen debuts in major roles in many of the world's leading opera houses and concert venues, including the Wiener Staatsoper, Teatro Real Madrid, Bayerische Staatsoper, Gran Teatre del Liceu, Opernhaus Zürich and the Festival d'Aix-en-Provence.[2]

Early life and education

Alasdair Kent was born in Perth, Western Australia. He studied music and performance at the Western Australian Academy of Performing Arts and the University of Western Australia with mezzo-soprano Megan Sutton,[4] as well as English literature, and Italian, French and German languages.[4] He sang with the West Australian Opera Chorus for several seasons in various repertoire,[4] and also took part in the Lisa Gasteen National Opera Program.[5] In 2017, he received an Artist Diploma from the Academy of Vocal Arts in Philadelphia, where he studied with Bill Schuman and sang performances of Lindoro (L'italiana in Algeri), Ferrando (Così fan tutte), Don Ottavio (Don Giovanni) and Rinuccio (Gianni Schicchi).[6] He was an Emerging Artist with Opera Philadelphia,[7] and a Filene Young Artist with Wolf Trap Opera,[8] where he performed as Ritornello in Florian Leopold Gassmann's L'opera seria,[9] and Giocondo in Rossini's La pietra del paragone.[10] He also took part in the Martina Arroyo Foundation's Prelude to Performance[11] and the Merola Opera Program.[12]

Career

Early career

Kent made his professional debut in Australia at the age of 25, as Don Ramiro in La Cenerentola with Opera Queensland in 2013.[13] [14] While at AVA, he made his US concert debut with The Dallas Opera in 2015,[15] and his US operatic debut in 2016 with Opera Philadelphia in Cold Mountain, an operatic adaptation of Charles Frazier's novel composed by Grammy Award and Pulitzer Prize winner Jennifer Higdon.[16] [17] His European debut followed in 2017, as Cavaliere Belfiore in Il viaggio a Reims for the Rossini Opera Festival in Pesaro, marking the beginning of his international career.[18] In the subsequent season, 2017–18, Kent sang multiple productions of L'italiana in Algeri, with Opéra national de Montpellier,[19] [20] [21] Opéra de Toulon[22] and also a new production for the Hungarian State Opera, created by Máté Szabó and conducted by Francesco Lanzillotta.[23] He performed small roles in a new production of George Benjamin’s Written on Skin with Opera Philadelphia,[24] and also in Rossini's Mosè in Egitto at the Teatro San Carlo di Napoli conducted by Stefano Montanari.[25] He also sang La Cenerentola with Portland Opera.[26] [27] [28] [29]

The following season, 2018-19, the tenor debuted in Rossini's Tancredi with the Teatro Petruzzelli di Bari in a production by Pier Luigi Pizzi.[30] This was performed with the tragic ending as composed for Ferrara, not the much more common lieto fine written for the opera's 1813 premiere at La Fenice.[31] Due to the indisposition of a colleague, Kent sang this role on two consecutive evenings, with his performance described as, "exquisite... The mastery of diction and the excellent color of the high tessitura.. were the highlights of his performance, which was also convincing on an actor's level."[32] He debuted professionally Rossini's Messa di Gloria, a work he sang while studying at AVA,[33] with the Orchestre de Pau Pays de Béarn.[34] Kent repeated his performances of L'italiana in Algeri in Budapest,[35] [36] and sang multiple productions of Così fan tutte: for the Lyric Opera of Kansas City, conducted by Dame Jane Glover and with mezzo-soprano Daniela Mack as Dorabella;[37] [38] for the Israeli Opera in Atom Egoyan’s production;[39] and for the Rete Lirica delle Marche in a production by Pier Luigi Pizzi in the Teatro dell'Aquila, Teatro Ventidio Basso, Teatro della Fortuna,[40] and the Teatro Marrucino.[41] His season closed with a new production of Cimarosa’s Il matrimonio segreto designed and directed by Pier Luigi Pizzi for the Festival della Valle d'Itria.[42] [43]

Season 2019-20 saw Kent perform in Il barbiere di Siviglia for Theater Basel[44] [45] [46] with David Parry conducting Kirill Serebrennikov’s production from the Komische Oper Berlin.[47] Kent's performance "impresse[d] with a powerful, absolutely confident, technically excellent tenore di grazia."[48] He repeated his performances as Paolino in Pizzi's production of Il matrimonio segreto, this time for the Teatro Regio di Torino.[49] He debuted as Tamino in Die Zauberflöte in a new production by Davide Livermore with the Royal Opera House Muscat, with Diego Fasolis conducting I Barocchisti.[50] [51] [52] Several of his performances were cancelled due to the COVID-19 pandemic, notably Falstaff with the Opéra national de Montpellier,[53] Così fan tutte with the Opéra national de Bordeaux,[54] [55] [56] and Don Giovanni on tour with Les Musiciens du Louvre.[57] In 2020-21, despite the ongoing pandemic, Kent made a major debut as Arturo in Bellini’s I puritani in his Spanish debut with Ópera de Oviedo.[58] The tenor's extended high range was exhibited in this performance of Arturo's high-F in Act Three, the highest note written for the operatic tenor voice.[59] [60] [61] He also performed Stravinsky’s Pulcinella with the Orchestra Sinfonica Nazionale della RAI conducted by Ottavio Dantone,[62] [63] and L'italiana in Algeri in a new production by Ido Ricklin for the Israeli Opera.[64] His debut with Opernhaus Zürich in Il barbiere di Siviglia was cancelled due to the pandemic.[65]

Major debuts

Kent began debuting in major theatres in leading roles in 2021-22, with performances of Il barbiere di Siviglia with both the Bayerische Staatsoper[66] and The Dallas Opera.[67] He also sang performances of Barbiere with Den Norske Opera & Ballett[68] and with Oper Köln, in Ruth Berghaus' 1968 production from the Berliner Staatsoper.[69] In these latter performances, he was praised for his "light, flexible tenor with seemingly as many high notes as you could want and breakneck coloratura."[70] He debuted at Het Concertgebouw in Amsterdam in L'italiana in Algeri with the Orchestra of the Eighteenth Century, with a cast including Vasilisa Berzhanskaya.[71] [72] This performance was recorded live for CD release on Glossa Music, and was awarded a place on the Bestenliste of the Preis der deutschen Schallplattenkritik in 2023.[73] He sang performances of Die Zauberflöte with the Israeli Opera in Barrie Kosky’s internationally acclaimed production,[74] and Don Giovanni with Opéra de Toulon,[75] where he was praised for his "impeccable musicality,"[76] his "almost celestial" voice,[77] and for "making the whole audience hold their breath on "Dalla sua pace.." [reproducing] the enchantment in an "Il mio tesoro," of ideal breath and saturated with musicality. An exemplary performance..”[78] He gave further performances in Donizetti’s Deux hommes et une femme at the Konzerthaus Berlin with the Berliner Operngruppe,[79] and La Cenerentola with Wallis Giunta in the title role at the Opéra national de Montpellier,[80] where Kent was described as "enchanting..play[ing] like a virtuoso with natural vocal charm.."[81] and praised for his "clear and full voice.. the virtuosity of his singing. The length of breath, the articulation, the charm and the panache.."[82]

In 2022-23, he returned to the Bayerische Staatsoper to make a role debut as Belmonte in Die Entführung aus dem Serail,[83] and for performances of La Cenerentola in a cast including Florian Sempey and Erwin Schrott,[84] in Jean-Pierre Ponnelle's historic production which premiered at Teatro alla Scala in 1973.[85] He debuted at the Wiener Staatsoper in Herbert Fritsch's production of Il barbiere di Siviglia conducted by Michele Mariotti,[86] and made an important role debut as Ernesto in Don Pasquale with the Teatro Petruzzelli di Bari.[87] He appeared in a semi-staged concert tour of Così fan tutte with Julia Lezhneva, Emőke Baráth and Sandrine Piau,[88] at the Théâtre des Champs-Élysées,[89] Philharmonie Luxembourg,[90] the Elbphilharmonie[91] and Stadtcasino Basel,[92] with Giovanni Antonini conducting the Kammerorchester Basel. Kent was praised for his "ravishing timbre," and his "particularly sensitive and refined interpretation of the aria "Un'aura amorosa.."[93] Further performances included Il barbiere di Siviglia with Cincinnati Opera,[94] Carmina Burana with Opera Philadelphia,[95] Così fan tutte with the Royal Opera House Muscat,[96] and Bach’s Weihnachtsoratorium with the Stavanger Symfoniorkester.[97]

Major debuts continued in 2023–24 with performances as the title role in Haydn’s Orlando paladino at the Teatro Real Madrid[98] and the Gran Teatre del Liceu,[99] with Giovanni Antonini conducting Il Giardino Armonico and a cast that included Emőke Baráth. He debuted as Narciso in Il turco in Italia for Opernhaus Zürich,[100] where he also appeared as Thespis in a new production of Rameau’s Platée with Emmanuelle Haïm conducting La Scintilla.[101] He also debuted with Festival d’Aix-en-Provence in Dmitri Tcherniakov's double production of Gluck's Iphigénie en Aulide and Iphigénie en Tauride, both with Emmanuelle Haïm leading Le Concert d'Astrée, appearing as Achille in the former opera.[102] The double-bill won the International Opera Award in the category of New Production.[103] He made his house debut with Theater an der Wien in the world premiere of Salieri's Cublai, gran kan de’ Tartari in the original Italian-text, with Christophe Rousset conducting Les Talens Lyriques.[104] This won the International Opera Award in the category of Rediscovered Work. Other performances included a house debut with the Deutsche Oper am Rhein in La Cenerentola,[105] where he was critically praised for "his effortlessly radiant tones,"[106] and his "ease above the staff," and "beautiful messa di voce.."[107] In concert, he appeared with the Orchestre national de Lille[108] and with the Stavanger Symfoniorkester in George Benjamin's Written on Skin.[109]

Kent's 2024–25 season started with performances of Il barbiere di Siviglia with the Opéra de Montréal,[110] where one critic called him, "the major vocal discovery of the evening in Almaviva. This is a real tenore di grazia, with a distinguished tone and great finesse in the execution," and calling the performances "a production which is worth seeing, especially for the remarkable Count Almaviva by Alasdair Kent."[111] The tenor is scheduled to make a house debut in concert with the Teatro alla Scala in Milan as Marzio in Mozart’s Mitridate, re di Ponto, with Christophe Rousset conducting Les Talens Lyriques[112] and further performances at the Théâtre des Champs-Élysées.[113] He sings Il turco in Italia in Laurent Pelly’s production for Opéra de Lyon, conducted by Giacomo Sagripanti.[114] He debuts as Norfolk in Rossini’s Elisabetta, regina d'Inghilterra with the Teatro Massimo di Palermo,[115] and as Idreno in Rossini’s Semiramide with Opéra de Rouen[116] and the Théâtre des Champs-Élysées.[117] He also debuts as Pylade in Gluck’s Iphigénie en Tauride with the Teatro de la Maestranza in Seville.[118]

Voice

Kent's voice is often described as a tenore di grazia[48] or Rossini tenor,[82] though he has labelled it simply as a "high tenor."[119] He is frequently associated with bel canto:[13] [120] [121] [122] his most performed roles are those of Rossini and Mozart,[1] though he also sings Donizetti, Bellini and Verdi.[123] He started adding French haute-contre roles to his repertoire in 2023, such as those of Rameau and Gluck.[101] [102] [118]

Repertoire

I puritani – Lord Arturo Talbot

Don Procopio – Don Odoardo

Il matrimonio segreto – Paolino

L'opera seria – Ritornello

The Pirates of Penzance - Frederic

Orlando paladino – Orlando

Gianni Schicchi – Rinuccio

Platée – Thespis

Cublai, gran kan de' Tartari – Timur

Falstaff – Fenton[124]

Personal life

Kent was in a relationship with Benedikt Schobel, principal bassoonist of Sinfonieorchester Basel, which ended in 2024.[125] [126] [127] The two did perform in concert together.[128] The tenor enjoys weightlifting and is a champagne enthusiast.[125] He has frequently cited fellow Australian Dame Joan Sutherland as a vocal inspiration.[125] [129] [130] He speaks multiple European languages.[131] [132]

Awards

Discography

External links

Notes and References

  1. Web site: Alasdair Kent – Biographie. Olyrix. August 16, 2020.
  2. Web site: Alasdair Kent, tenor. Operabase. June 14, 2021.
  3. Web site: Bel Canto Award. The Joan Sutherland & Richard Bonynge Foundation. June 14, 2021.
  4. Web site: Welcome to Art Song Perth. Art Song Perth Artist Bios. August 16, 2020.
  5. Web site: Our Alumni. Lisa Gasteen National Opera Program. August 16, 2020.
  6. Web site: Alasdair Kent. Academy of Vocal Arts Alumni. August 16, 2020.
  7. Web site: Q&A with Emerging Artist Alasdair Kent. Opera Philadelphia Opera Blog. August 17, 2020.
  8. Web site: Alasdair Kent. Wolf Trap Opera. August 17, 2020.
  9. Web site: L'opera seria. Wolf Trap Opera Past Productions. August 17, 2020.
  10. Web site: La pietra del paragone. Wolf Trap Opera Past Productions. August 17, 2020.
  11. Web site: Legacy. Martina Arroyo Foundation. August 17, 2020.
  12. Web site: Program Alumni. Merola Opera Program. August 17, 2020.
  13. Web site: Bel Canto and Elizabeth Connell Prize winners announced. Limelight Magazine. August 17, 2020.
  14. Web site: Alasdair Kent. The Dallas Opera Performer Biographies. August 17, 2020.
  15. Web site: Female conductors – a rarity – shine at Dallas Opera workshop concert. The Dallas Morning News. 6 December 2015 . August 17, 2020.
  16. Web site: Cold Mountain review. Opera News. August 17, 2020.
  17. Web site: Cold Mountain. Opera Philadelphia What's On 2015–16. August 17, 2020.
  18. Web site: Archive of Programs, Stagione 2017. Rossini Opera Festival. August 17, 2020.
  19. Web site: L'Italienne à Alger. Ópera Orchestre National Montpellier. August 17, 2020.
  20. Web site: L'Italienne à Alger à l'Opéra de Montpellier. Concert Classic. October 2017 . September 22, 2024.
  21. Web site: ROSSINI, L'italiana in Algeri --Montpellier. ForumOpera. September 22, 2024.
  22. Web site: L'ITALIENNE À ALGER. Opéra de Toulon. September 22, 2024.
  23. Web site: Rossini's L'italiana in Algeri at the Erkel Theatre. Opera.hu. September 22, 2024.
  24. Web site: Written on Skin. Opera Philadelphia. September 22, 2024.
  25. Web site: Mosè in Egitto. Teatro di San Carlo. August 17, 2020.
  26. Web site: A Cinderella story for modern times. Oregon Artswatch. September 22, 2024.
  27. Web site: It's Difficult to Imagine a More Inviting Point of Entry into the World of Opera Than "La Cenerentola". Willamette Week. 23 July 2018 . September 22, 2024.
  28. Web site: Portland Opera's Presentation of Gioachino Rossini's La Cenerentola, Newmark Theater, Opens 7-13-2018. Oregon Music News. September 22, 2024.
  29. Web site: Portland Opera is Well Worth The Trip. San Francisco Classical Voice. September 22, 2024.
  30. Web site: TANCREDI. Sito Petruzzelli. September 22, 2024.
  31. Web site: Tancredi, l'allestimento di Pizzi strega il Petruzzelli. Quotidiano di Puglia. 21 October 2018. September 22, 2024.
  32. Web site: Bari, Teatro Petruzzelli: "Tancredi". GBOPERA. 30 October 2018. September 22, 2024.
  33. Web site: Jubilate! Academy of Vocal Arts on WRTI, March 15 at 3 PM. WRTI. 11 March 2015 . September 22, 2024.
  34. Web site: Messa di Gloria. Operabase. September 22, 2024.
  35. Web site: Rossini's L'italiana in Algeri at the Hungarian State Opera. Magyar Állami Operaház. August 17, 2020.
  36. Web site: L'italiana in Algeri. Operabase. September 22, 2024.
  37. Web site: The Great War of the Sexes: Così in Kansas City. Bachtrack. September 22, 2024.
  38. Web site: Review: COSI FAN TUTTE at KC Lyric Opera. Broadway World. September 22, 2024.
  39. Web site: Cosi fan tutte. The Israeli Opera. September 22, 2024.
  40. Web site: COSI FAN TUTTE. Fondazione Rete Lirica delle Marche. September 22, 2024.
  41. Web site: COSÌ FAN TUTTE ossia la scuola degli amanti. Teatro Marrucino. September 22, 2024.
  42. Web site: Il matrimonio segreto. Festival della Valle d'Itria. September 22, 2024.
  43. Web site: Secret affairs in an Italian summer: Cimarosa's Matrimonio segreto at Martina Franca. Bachtrack. September 22, 2024.
  44. Web site: Il barbiere di Siviglia. Archiv Theater Basel. September 22, 2024.
  45. Web site: The Barber of Seville. Sinfonieorchester Basel. September 22, 2024.
  46. Web site: Il barbiere di Siviglia, review. Opernmagazin. 20 October 2019 . August 17, 2020.
  47. Web site: Serebrennikov's Barber confronts the millennial generation at Komische Oper. Bachtrack. September 22, 2024.
  48. Web site: BASEL/ Theater: IL BARBIERE DI SIVIGLIA (Produktion der Komischen Oper Berlin). Online Merker. September 22, 2024.
  49. Web site: Il matrimonio segreto. Teatro Regio Torino. September 22, 2024.
  50. Web site: Royal Opera House Muscat to present The Magic Flute. Times of Oman. September 22, 2024.
  51. Web site: Die Zauberflöte. Operabase. September 22, 2024.
  52. Web site: Royal Opera House Muscat 2019-20 Review: Die Zauberflöte. OperaWire. 5 January 2020 . September 22, 2024.
  53. Web site: Falstaff. Opéra Orchestre National Montpellier. September 22, 2024.
  54. Web site: Alasdair Kent. Opéra National de Bordeaux. September 22, 2024.
  55. Web site: L'Opéra de Bordeaux annule la fin de la saison. PaySud mag. September 22, 2024.
  56. Web site: Così fan tutte - Bordeaux Opera house (2020). Opera Online. September 22, 2024.
  57. Web site: Don Giovanni. Les Musiciens du Louvre. September 22, 2024.
  58. Web site: I Puritani. Ópera de Oviedo. September 22, 2024.
  59. Web site: Bellini's I Puritani. IMDB. September 22, 2024.
  60. Web site: MUSIC VIEW. The New York Times. September 22, 2024.
  61. Web site: IMSLP Staff [Guo, Edward W. et al.] . 2017 . Bellini – I puritani (vocal score) . Wilmington, DE . International Music Score Library Project (IMSLP)/Petrucci Music Library (Project Petrucci LLC) . 254, 256. IMSLP.org.
  62. Web site: Omaggio a Stravinskij con Pulcinella diretto da Ottavio Dantone. Orchestra RAI, Rai Cultura. September 22, 2024.
  63. Web site: Orchestra Rai: omaggio a Stravinskij con "Pulcinella" diretto da Ottavio Dantone. Connessi all’Opera. 9 April 2021 . September 22, 2024.
  64. Web site: L'Italiana in Algeri. The Israeli Opera. September 22, 2024.
  65. Web site: Archiv: Il barbiere di Siviglia. Opernhaus Zürich. September 22, 2024.
  66. Web site: IL BARBIERE DI SIVIGLIA. Bayerische Staatsoper. September 22, 2024.
  67. Web site: The Barber of Seville. The Dallas Opera. September 22, 2024.
  68. Web site: Barberen i Sevilla. Den Norske Opera & Ballett. September 22, 2024.
  69. Web site: Gioacchino Rossini, "Il Barbiere di Siviglia", Oper Köln. TheaterKompass. 9 June 2022 . September 22, 2024.
  70. Web site: Grandioser Abschluss der Intendanz Birgit Meyers mit "Il Barbiere di Siviglia" in der Oper Köln. Das Opernmagazin. 25 June 2022 . September 22, 2024.
  71. Web site: Vasilisa Berzhanskaya in Rossini's L'italiana in Algeri. Het Concertgebouw. 19 February 2022 . September 22, 2024.
  72. Web site: Rossini: L'italiana in Algeri. La Cetra. September 22, 2024.
  73. Web site: Bestenliste 02/2023. Preis der deutschen Schallplatten Kritik. September 22, 2024.
  74. Web site: Die Zauberflöte. The Israeli Opera. September 22, 2024.
  75. Web site: Don Giovanni. Opéra de Toulon. September 22, 2024.
  76. Web site: MOZART, Don Giovanni -- Toulon. FORUMOPERA. September 22, 2024.
  77. Web site: Don Giovanni se met dans de beaux draps à Toulon. Olyrix. September 22, 2024.
  78. Web site: Toulon : au lit avec Don Giovanni . ResMusica. 13 October 2021 . September 22, 2024.
  79. Web site: Berliner Operngruppe. Projects. September 22, 2024.
  80. Web site: Cendrillon. Opéra Orchestre National Montpellier. September 22, 2024.
  81. Web site: À Montpellier, Cenerentola ou le désenchantement en triomphe. ResMusica. 22 December 2021 . September 22, 2024.
  82. Web site: ROSSINI, La Cenerentola — Montpellier. FORUMOPERA. September 22, 2024.
  83. Web site: DIE ENTFÜHRUNG AUS DEM SERAIL. Bayerische Staatsoper. September 22, 2024.
  84. Web site: LA CENERENTOLA. Bayerische Staatsoper. September 22, 2024.
  85. Web site: Marianne Crebassa brings the house down in Jean-Pierre Ponnelle’s legendary Cenerentola. Opera Online. September 22, 2024.
  86. Web site: Il barbiere di Siviglia am 03.01.2023. Spielplanarchiv der Wiener Staatsoper. September 22, 2024.
  87. Web site: Don Pasquale. Sito Petruzzelli. September 22, 2024.
  88. Web site: Abo-Konzert mit Mozarts Cosi fan tutte. Kammerorchester Basel. September 22, 2024.
  89. Web site: Così fan tutte. Theatre des Champs-Elysees. September 22, 2024.
  90. Web site: Mozart’s play with love. Delano. September 22, 2024.
  91. Web site: Mon, 27 Mar 2023 – Mozart: Così fan tutte. Elbphilharmonie. September 22, 2024.
  92. Web site: Kammerochester Basel: Così fan tutte – „Und immer siegt die Liebe“. Das Opernmagazin. September 22, 2024.
  93. Web site: Cosi fan tutte mi-scénique mi-raison au TCE. Olyrix. September 22, 2024.
  94. Web site: The Barber of Seville. Cincinnati Opera. September 22, 2024.
  95. Web site: Carmina Burana + Credo. Opera Philadelphia. September 22, 2024.
  96. Web site: ROHM to close season with Mozart’s Cosi Fan Tutte. Oman Observer. September 22, 2024.
  97. Web site: Bach’s Weihnachtsoratorium. Operabase. September 22, 2024.
  98. Web site: Orlando paladino. Teatro Real. September 22, 2024.
  99. Web site: 'Orlando paladino' se estrena en versión concierto en el Liceu. Gran Teatre del Liceu. September 22, 2024.
  100. Web site: Il turco in Italia. Opernhaus Zürich. September 22, 2024.
  101. Web site: Platée. Opernhaus Zürich. September 22, 2024.
  102. Web site: IPHIGÉNIE EN AULIDE — IPHIGÉNIE EN TAURIDE. Festival d’Aix-en-Provence. September 22, 2024.
  103. Web site: 2024 Opera Awards. International Opera Awards.
  104. Web site: KUBLAI KHAN. MusikTheater an der Wien. September 22, 2024.
  105. Web site: Alasdair Kent. Deutsche Oper am Rhein. September 22, 2024.
  106. Web site: Duisburg, Deutsche Oper am Rhein, LA CENERENTOLA - Gioacchino Rossini, IOCO Kritik. IOCO Kultur im Netz. September 22, 2024.
  107. Web site: RECENSIE: Rossini – La Cenerentola. OperaNederland. September 22, 2024.
  108. Web site: WRITTEN ON SKIN. Le Nouveau Siècle. September 22, 2024.
  109. Web site: Benjamin’s Written on Skin. Operabase. September 22, 2024.
  110. Web site: The Barber of Seville. Opéra de Montréal. September 22, 2024.
  111. Web site: Le barbier de Séville - Un Barbier mi-figue, mi-raisin à l’Opéra de Montréal. La Presse.ca. October 1, 2024.
  112. Web site: Mitridate, re di Ponto. Teatro alla Scala. September 22, 2024.
  113. Web site: Mithridate, Mozart. Theatre des Champs-Elysees. September 22, 2024.
  114. Web site: Il Turco in Italia. Opéra national de Lyon. September 22, 2024.
  115. Web site: Elisabetta Regina d’Inghilterra. Fondazione Teatro Massimo. September 22, 2024.
  116. Web site: Sémiramis. Opéra de Rouen. September 22, 2024.
  117. Web site: Semiramide. Theatre des Champs-Elysees. September 22, 2024.
  118. Web site: Iphigénie en Tauride. Teatrodelamaestranza.es. September 22, 2024.
  119. alasdairkent . C89hjdAIGQf . Achille in IPHIGÉNIE EN AULIDE at @festivalaix - premiering TONIGHT! . 3 July 2024 . 24 September 2024.
  120. Web site: AVA Resident Artists Win Big During the Giargiari Bel Canto Competition. AVA Opera Blog. August 16, 2020.
  121. Web site: Rof, alla scoperta di Alasdair Kent, tenore australiano che sognava di cantare a Pesaro. Pesaro Urbino 24. 5 August 2017 . August 17, 2020.
  122. Web site: BASEL/ Theater: IL BARBIERE DI SIVIGLIA (Produktion der Komischen Oper Berlin). Online Merker. August 17, 2020.
  123. Web site: Alasdair Kent, tenor. Operabase. August 17, 2020.
  124. Web site: Alasdair Kent, Repertoire. Operabase. June 12, 2021.
  125. Web site: Q & A: Alasdair Kent on Mozart, Bel Canto & His Beginnings. OperaWire. 10 January 2023 . November 5, 2023.
  126. Web site: Fagott. Sinfonieorchester Basel. November 5, 2023.
  127. alasdairkent . C_NveTGA8He . A few months ago, after four and a half years together . 28 August 2024 . 2 September 2020.
  128. Web site: Alasdair Kent "Arien". Bärenstutz1. 11 June 2023 . November 5, 2023.
  129. Web site: Q&A with Emerging Artist Alasdair Kent. Opera Philadelphia. November 5, 2023.
  130. Web site: Tenor Alasdair Kent in the Spotlight. Wolf Trap Opera. 24 June 2017 . November 5, 2023.
  131. Web site: Rof, alla scoperta di Alasdair Kent, tenore australiano che sognava di cantare a Pesaro: "Questa è la Mecca". pu24.it. 5 August 2017 . November 5, 2023.
  132. Web site: About. Alasdair Kent. November 5, 2023.
  133. Web site: 2017. The Gerda Lissner Foundation. August 16, 2020.
  134. Web site: Finalists. The Loren L. Zachary Society. August 16, 2020.
  135. Web site: The Marten Bequest Past Recipients. Australia Council for the Arts. August 16, 2020.
  136. Web site: Bel Canto Award. The Joan Sutherland & Richard Bonynge Foundation. August 16, 2020. February 7, 2017. https://web.archive.org/web/20170207234107/http://www.jsrbfoundation.com/awards-prizes/bel-canto-award/. dead.
  137. http://www.liciaalbanesepuccinifnd.org/pastwinner/2016.html The Licia Albanese-Puccini Foundation, Past Winners 2016
  138. Web site: Voice competition winners announced. Pittsburgh Post-Gazette. August 16, 2020.
  139. Web site: Vocal Competition. Opera at Florham. August 16, 2020.
  140. Web site: GIOACHINO ROSSINI L'italiana in Algeri. Glossa Music. September 22, 2024.
  141. Web site: Benjamin Britten: Our Hunting Fathers, 4 Chansons françaises and Suite from "Gloriana". Prospero Classical. October 2, 2020.
  142. Web site: Poul Ruders: The Thirteenth Child. Bridge Records. August 16, 2020.
  143. Web site: Discography. Alasdair Kent. June 12, 2021.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Alasdair Kent".

Except where otherwise indicated, Everything.Explained.Today is © Copyright 2009-2025, A B Cryer, All Rights Reserved. Cookie policy.